罗西尼对歌剧戏剧性的拓展

发布时间：2018-11-04 20:13

【摘要】： 本文从罗西尼对意大利古典歌剧的戏剧表现力的拓展方面入手，从题材、人声、歌剧管弦乐以及对德法歌剧的兼收并蓄等几个方面，进行论述。分析他在意大利音乐处于低潮的局面中，如何从拓展戏剧表现力上，挽救意大利歌剧的颓势。在继承意大利古典歌剧优秀传统的同时，在题材上选择典型的人物和事件，，在人物塑造上力求丰满，表现个性冲突和矛盾；对歌剧的内部结构进行了合理的调整，改革了以往咏叹调和宣叙调交替出现，统领一部歌剧的现象；改变了歌唱家为了炫耀技巧而随意改动旋律声部，破坏剧作的统一和完整的现象；增加了重唱与合唱的分量；在歌剧管弦乐的表达上与剧作内容紧密结合，管弦乐为戏剧服务。并突破前人传统，大胆吸收外来音乐元素，开拓了意大利歌剧的新视野。最后是对罗西尼戏剧观的总结。
[Abstract]:This article begins with Rosini's expansion of the expressive power of classical Italian opera, and discusses the theme, voice, orchestral music and the eclecticism of German and French operas. This paper analyzes how he can save the decline of Italian opera by expanding his theatrical expressiveness in the low tide of Italian music. While inheriting the excellent tradition of Italian classical opera, he chooses the typical characters and events on the subject matter, strives for fullness in the character shaping, expresses the individuality conflict and the contradiction; The internal structure of opera has been adjusted reasonably, and the phenomenon of arias and narration has been reformed in the past. In order to show off his skills, the singer changed the melody and voice at will to destroy the unity and integrity of the play; to increase the weight of the choir and chorus; to closely integrate the opera orchestra with the content of the play; and to serve the play by orchestral music. And break through the tradition of predecessors, bold absorption of foreign elements of music, opened up a new vision of Italian opera. The last part is the conclusion of Rosini's view of drama.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J605

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