桂东南客家祭祀乐器“喃嘟嗬”文化构成解析
发布时间:2018-11-11 10:51
【摘要】:从"喃嘟嗬"的产生渊源及历史衍变的视角,探讨其文化构成及当地中元节独特习俗的成因,揭示汉族客家移民与壮族先民社会交往中的民族文化融合内涵,并就民族民间艺术文化遗产的保护提出了自己的看法。
[Abstract]:From the perspective of the origin and historical evolution of "tanduho", this paper probes into its cultural composition and the causes of the unique customs of local Ghost Festival, and reveals the connotation of national culture fusion in the social interaction between Hakka immigrants of Han nationality and the ancestors of Zhuang nationality. And put forward their own views on the protection of national folk art and cultural heritage.
【作者单位】: 玉林师范学院艺术系;
【分类号】:J632.7
本文编号:2324614
[Abstract]:From the perspective of the origin and historical evolution of "tanduho", this paper probes into its cultural composition and the causes of the unique customs of local Ghost Festival, and reveals the connotation of national culture fusion in the social interaction between Hakka immigrants of Han nationality and the ancestors of Zhuang nationality. And put forward their own views on the protection of national folk art and cultural heritage.
【作者单位】: 玉林师范学院艺术系;
【分类号】:J632.7
【相似文献】
相关期刊论文 前10条
1 陈家友;;桂东南客家祭祀乐器“喃嘟嗬”文化构成解析[J];广西民族大学学报(哲学社会科学版);2010年06期
2 ;[J];;年期
3 ;[J];;年期
4 ;[J];;年期
5 ;[J];;年期
6 ;[J];;年期
7 ;[J];;年期
8 ;[J];;年期
9 ;[J];;年期
10 ;[J];;年期
,本文编号:2324614
本文链接:https://www.wllwen.com/wenyilunwen/musictheory/2324614.html