对中国礼乐认知的几个误区

发布时间：2018-11-21 08:24

【摘要】：周公国家制度下的制礼作乐,拉开中华民族礼乐文明序幕。中国礼乐文明是贯穿三千载的动态过程,礼乐观念一直处于不断发展之中。研究礼乐,首先要界定概念,辨析不同礼制仪式类型与乐制类型相须为用之关系,对不同历史时期的礼乐观念进行动态把握,以认知礼乐的实质性内涵。本文在对礼乐概念界定的基础上着重辨析中国礼乐研究中的几个误区:以雅乐代礼乐;吉礼用乐为礼乐全部;礼乐断层论,漠视中华礼乐文明三千年;雅乐衰落、俗乐与胡乐兴盛论;重形而上的乐德、乐教,谈礼乐不论本体形态;不察礼乐观念在时代发展中不断调整与演进;聚焦宫廷谈礼乐,不把握礼乐制度上下相通的体系化;不从当下民间社会礼乐活态把握传统,看不到历史上国家礼乐的民间接衍。
[Abstract]:Under the state system of Zhou Gong, the ceremony of making music, open the prelude of the Chinese nation's ritual and music civilization. Chinese culture of rites and music is a dynamic process running through three thousand years, and the concept of etiquette and music is constantly developing. To study etiquette and music, we must first define the concept, distinguish the relationship between different ritual types and music system types, and dynamically grasp the concept of etiquette and music in different historical periods in order to recognize the substantive connotation of ritual music. Based on the definition of the concept of ritual and music, this paper focuses on the analysis of several misunderstandings in the study of Chinese etiquette and music: taking elegant music as the symbol of etiquette and music, using Jili as the whole of etiquette and music, disregarding the three thousand years of Chinese ritual and music civilization, the theory of the fault of etiquette and music; The decline of elegant music, the flourishing of vulgar music and Hu Le, the emphasis on metaphysical music morality and music education, the discussion of the propriety and music regardless of the form of Noumenon, the constant adjustment and evolution of the concept of rites and music in the development of the times; Focusing on the palace to talk about ritual music, do not grasp the system of ceremony and music system, not from the current civil society to grasp the traditional state of ritual and music, can not see the history of national ritual and music folk contact.
【作者单位】：中国艺术研究院音乐研究所;
【分类号】：J609.2

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