王建中钢琴作品多声技法探微
发布时间：2018-11-24 18:25
【摘要】：王建中先生是我国著名的作曲家、钢琴教育家，也是我国少数几个几乎只创作钢琴作品的作曲家之一。从五十年代他毕业于上海音乐学院钢琴系并留校以来，四十多年的创作生涯，留下了几十首脍炙人口的钢琴作品。如：《云南民歌五首》、《陕北民歌四首》《梅花三弄》、《百鸟朝凤》、《浏阳河》等。他创作的这些钢琴作品已经成为具有典型中国风格的钢琴作品的代表作，因而常常在国内、国际舞台上演出。这不仅是因为他的作品中流露出的“中国”特色而引起听众的的共鸣，更是因为他的作品显示出很强的专业性和颇高的艺术价值。本文就以他的钢琴作品(主要是改编曲)为研究对象，从多声技法(以和声技法为主，结合旋律、织体、复调等)的各个方面来进行分析和研究。这对于探索在音乐创作中融入民族风格的某些特质、借鉴某些近现代技术手法，拓展创作思路，繁荣我国音乐创作，具有现实和理论意义。 全文包括引言、正文和结语三部分。引言部分主要介绍王建中先生的创作生涯和钢琴作品创作概况。正文分为二大部分，第一部分主要是对其作品和声技法的研究，分别从和弦结构、和声进行、调式调性等不同角度的特点来对其和声上的民族风格手法进行详细而深入的归纳总结。第二部分是结合旋律、织体、复调等方面表现出来的民族化特征进行简要分析。结语部分则对王建中钢琴作品民族风格特点和创作个性特征以及对当今钢琴音乐创作的启示等来进行概述。
[Abstract]:Mr. Wang Jianzhong is a famous composer, piano educator and one of the few composers who only create piano works. Since he graduated from the piano department of Shanghai Conservatory of Music in the 1950s and stayed in school, more than 40 years of creative career, left dozens of popular piano works. Such as: Yunnan Folk songs five songs, Northern Shaanxi Folk songs four songs > Mei Hua San Nong >, hundred Birds Chaofeng >, Liuyang River, etc. His piano works have become the representative works of typical Chinese style and are often performed on the domestic and international stage. This is not only because of the "Chinese" characteristics of his works, which resonate with the audience, but also because his works show strong professionalism and high artistic value. In this paper, his piano works (mainly adapted music) as the research object, from the multi-sound techniques (mainly harmony techniques, combined with melody, texture, polyphonic, etc.) to analyze and study the various aspects. It is of practical and theoretical significance to explore some characteristics of national style in music creation, to draw lessons from some modern and modern techniques, to expand creative ideas, and to flourish music creation in our country. The full text includes the introduction, the text and the conclusion three parts. The introduction mainly introduces Mr. Wang Jianzhong's creative career and the general situation of his piano works. The text is divided into two parts. The first part mainly studies the harmony techniques of his works, respectively from the chord structure, harmony. The characteristics of tonality and other different angles to its harmony on the national style of detailed and in-depth summary. The second part is a brief analysis of the national characteristics of melody, texture, polyphony and so on. The conclusion part summarizes Wang Jianzhong's national style and creative personality of his piano works, as well as his inspiration to today's piano music creation.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J624.1
本文编号：2354578
[Abstract]:Mr. Wang Jianzhong is a famous composer, piano educator and one of the few composers who only create piano works. Since he graduated from the piano department of Shanghai Conservatory of Music in the 1950s and stayed in school, more than 40 years of creative career, left dozens of popular piano works. Such as: Yunnan Folk songs five songs, Northern Shaanxi Folk songs four songs > Mei Hua San Nong >, hundred Birds Chaofeng >, Liuyang River, etc. His piano works have become the representative works of typical Chinese style and are often performed on the domestic and international stage. This is not only because of the "Chinese" characteristics of his works, which resonate with the audience, but also because his works show strong professionalism and high artistic value. In this paper, his piano works (mainly adapted music) as the research object, from the multi-sound techniques (mainly harmony techniques, combined with melody, texture, polyphonic, etc.) to analyze and study the various aspects. It is of practical and theoretical significance to explore some characteristics of national style in music creation, to draw lessons from some modern and modern techniques, to expand creative ideas, and to flourish music creation in our country. The full text includes the introduction, the text and the conclusion three parts. The introduction mainly introduces Mr. Wang Jianzhong's creative career and the general situation of his piano works. The text is divided into two parts. The first part mainly studies the harmony techniques of his works, respectively from the chord structure, harmony. The characteristics of tonality and other different angles to its harmony on the national style of detailed and in-depth summary. The second part is a brief analysis of the national characteristics of melody, texture, polyphony and so on. The conclusion part summarizes Wang Jianzhong's national style and creative personality of his piano works, as well as his inspiration to today's piano music creation.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J624.1
【引证文献】
相关期刊论文 前1条
1 曾娴;;钢琴曲《梅花三弄》的文化性分析[J];时代文学(下半月);2012年04期
相关硕士学位论文 前7条
1 夏佳;《百鸟朝凤》多种乐器演绎之比较研究[D];湖南师范大学;2011年
2 鞠真;王建中钢琴改编曲的民族特色研究[D];山东师范大学;2012年
3 郑远;二十世纪下半叶中国钢琴音乐创作初探[D];福建师范大学;2006年
4 赖涛;质朴的语言，深厚的情感[D];山东师范大学;2008年
5 马晓霜;论王建中钢琴音乐创作手法及演奏技巧[D];西安音乐学院;2012年
6 贾瑞娜;试论王建中钢琴改编曲《云南民歌五首》[D];山西大学;2013年
7 刘瑞程;新中国十七年时期钢琴音乐民族化特征研究[D];沈阳音乐学院;2012年
，本文编号：2354578
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