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论舒曼钢琴套曲《蝴蝶》的艺术底蕴及其演奏

发布时间:2018-12-06 18:56
【摘要】:本文针对近百年来,历史上对舒曼钢琴套曲褒贬不一的评价,以及一些权威的音乐史书称其为“结构松散的套曲”的评论,通过对舒曼钢琴套曲《蝴蝶》“形式自由”的体现及其必然性、其神韵的统一以及在演奏中如何把握其神韵这三方面的深入分析,,试图挖掘其“超越形式而游于神韵”的艺术底蕴,使人们对《蝴蝶》有更清晰、更深入、更全面的认识,从而更全面准确地把握舒曼钢琴套曲的特点,在演奏中抓住其独特的风格。
[Abstract]:This article aims at the appraisal of Schumann's piano ensemble in the past hundred years, and some authoritative music history books call it "loosely structured suite". By analyzing the embodiment and inevitability of Schumann's piano suite "Butterfly" Freedom of form ", the unity of its charm and how to grasp its charm in performance are analyzed. It tries to dig out the artistic background of "transcending form and swimming in the charm", so that people have a clearer, deeper and more comprehensive understanding of Butterfly, so as to grasp the characteristics of Schumann's piano suite more comprehensively and accurately. Hold on to its unique style in playing.
【学位授予单位】:南京师范大学
【学位级别】:硕士
【学位授予年份】:2004
【分类号】:J657

【引证文献】

相关硕士学位论文 前1条

1 刘怡冰;浪漫主义文学对舒曼钢琴音乐创作的影响[D];湖南师范大学;2008年



本文编号:2366497

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