现代钢琴演奏巴赫键盘作品的触键与音色问题
发布时间：2018-12-10 07:42
【摘要】： 音乐是声音的艺术，钢琴音乐也不例外。 声音的“色彩”是传承音乐风格最重要的因素之一，也是演奏家表现音乐最主要的手段之一。“音色”一词，说明了钢琴家千变万化的指触所能获得的永无穷尽的音响魅力。它渗透于全部的钢琴作品中，是音乐风格的标志性体现，内含着不同时代、不同作曲家的不同作品的“信息码”。 本文着重探讨了巴赫这位巴洛克时代复调大师的键盘作品的触键与音色，参考了当时的审美观念、乐器构造、音色特征及演奏传统，结合几位以演奏巴赫见长的著名钢琴家的演奏风格，较为深入地研究了巴赫作品的体裁、旋律形态、织体安排、结构层次等与触键、音色的关系，，并进一步提出，只有建立在对巴赫乐谱深入的分析和理解基础上的演奏才是最具有说服力的，而将音色训练与音乐分析有机地结合起来，不但有助于音色的把握和控制，更有助于加深对音乐的理解和表达，是演奏者掌握巴赫音乐内涵和风格最有效的途径之一。
[Abstract]:Music is the art of sound, and piano music is no exception. The color of sound is one of the most important factors in inheriting music style and one of the most important means for performers to express music. The term "timbre" illustrates the ever-changing sound charm that a pianist can acquire. It permeates all the piano works and is the symbolic embodiment of the music style. It contains the "information code" of different works of different times and different composers. This paper focuses on the touch keys and timbre of the keyboard works of Bach, a Baroque polyphonic master, referring to the aesthetic concept, musical instrument construction, timbre characteristics and playing tradition. Combined with the performance style of several famous pianists who are good at playing Bach, this paper deeply studies the relationship between the genre, melody form, texture arrangement, structure level and touch key and timbre of Bach's works. Only on the basis of deep analysis and understanding of Bach's music score is it most persuasive to play, and the combination of timbre training and music analysis is not only helpful to grasp and control timbre, It is one of the most effective ways for players to master the connotation and style of Bach's music.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J624.1
本文编号：2370221
[Abstract]:Music is the art of sound, and piano music is no exception. The color of sound is one of the most important factors in inheriting music style and one of the most important means for performers to express music. The term "timbre" illustrates the ever-changing sound charm that a pianist can acquire. It permeates all the piano works and is the symbolic embodiment of the music style. It contains the "information code" of different works of different times and different composers. This paper focuses on the touch keys and timbre of the keyboard works of Bach, a Baroque polyphonic master, referring to the aesthetic concept, musical instrument construction, timbre characteristics and playing tradition. Combined with the performance style of several famous pianists who are good at playing Bach, this paper deeply studies the relationship between the genre, melody form, texture arrangement, structure level and touch key and timbre of Bach's works. Only on the basis of deep analysis and understanding of Bach's music score is it most persuasive to play, and the combination of timbre training and music analysis is not only helpful to grasp and control timbre, It is one of the most effective ways for players to master the connotation and style of Bach's music.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J624.1
【引证文献】
相关硕士学位论文 前2条
1 王林;罗萨琳·图雷克对巴赫键盘作品诠释的理论与实践研究[D];上海师范大学;2012年
2 齐丽花;钢琴制造工艺与音律理论研究[D];山东艺术学院;2012年
本文编号：2370221
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