宋代琴律理论中的“自然之节”论
发布时间：2018-12-10 18:32
【摘要】："自然之节"论初见于北宋琴家崔遵度的《琴笺》,后为北宋科学家沈括所继承。基于"自然之节"的理论,南宋琴家徐理在他的《琴统·十则》中又发展成"琴有十则,节四十五,同者十有四,得位者三十有一"的"三十一节"论;据此又提出了琴律中"‘徽'以天地生成之数均等分节,‘律'以上下损益之法参差定位"的两种生律法,并将这两种律制命名为"徽法"和"准法"。
[Abstract]:The "Festival of Nature" was first seen by Cui Zundu, a pianist in the Northern Song Dynasty, and later inherited by Shen Kuo, a scientist in the Northern Song Dynasty. Based on the theory of "the Festival of Nature", Xu Li, a Qin scholar in the Southern Song Dynasty, developed into a theory of "31 verses" in his "Ten rules of the Qin system": "there are ten harps, 45 stanzas, four of the same ten, and one of the thirty who get the position." On the basis of this, two kinds of birth laws are put forward, which are "the number of Emblem" is equal to the number of heaven and earth, and the law above the "law" is located. The two laws are named "Emblem Law" and "Quasi-Law".
【作者单位】： 上海音乐学院音乐学系;
【基金】：2011年度国家社科基金艺术学国家重点项目“中国传统音乐宫调理论研究”,项目号:11AD003
【分类号】：J612.1
，
本文编号：2371021
[Abstract]:The "Festival of Nature" was first seen by Cui Zundu, a pianist in the Northern Song Dynasty, and later inherited by Shen Kuo, a scientist in the Northern Song Dynasty. Based on the theory of "the Festival of Nature", Xu Li, a Qin scholar in the Southern Song Dynasty, developed into a theory of "31 verses" in his "Ten rules of the Qin system": "there are ten harps, 45 stanzas, four of the same ten, and one of the thirty who get the position." On the basis of this, two kinds of birth laws are put forward, which are "the number of Emblem" is equal to the number of heaven and earth, and the law above the "law" is located. The two laws are named "Emblem Law" and "Quasi-Law".
【作者单位】： 上海音乐学院音乐学系;
【基金】：2011年度国家社科基金艺术学国家重点项目“中国传统音乐宫调理论研究”,项目号:11AD003
【分类号】：J612.1
，
本文编号：2371021
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