钢琴演奏教学中听觉的协同研究
发布时间：2018-12-31 09:15
【摘要】：本文运用了协同学的原理对钢琴演奏教学中,内在听觉与外在听觉协同能力的培养进行了深入的研究,文章指出,培养听觉的协同能力,重点在于培养学生通过对外在听觉的存储形成内心听觉,并在钢琴演奏的过程中产生外在听觉与内心听觉的协同。外在听觉与内心听觉的协同的实质即为:在演奏过程中,演奏者提取已存储于大脑中的音源、音响效果以指导演奏实践。
[Abstract]:Based on the theory of Synergetics, this paper makes a deep research on the cultivation of the synergetic ability of internal and external hearing in piano playing teaching, and points out that it is necessary to cultivate the cooperative ability of hearing. The key point is to train students to form inner hearing through the storage of external hearing and to produce the cooperation between external hearing and inner hearing in the process of playing piano. The essence of the cooperation of external hearing and inner hearing is that in the process of playing, the player extracts the sound source stored in the brain, and the sound effect is used to guide the performance practice.
【作者单位】： 湖南省大众传媒学院;
【分类号】：J624.1
[Abstract]:Based on the theory of Synergetics, this paper makes a deep research on the cultivation of the synergetic ability of internal and external hearing in piano playing teaching, and points out that it is necessary to cultivate the cooperative ability of hearing. The key point is to train students to form inner hearing through the storage of external hearing and to produce the cooperation between external hearing and inner hearing in the process of playing piano. The essence of the cooperation of external hearing and inner hearing is that in the process of playing, the player extracts the sound source stored in the brain, and the sound effect is used to guide the performance practice.
【作者单位】： 湖南省大众传媒学院;
【分类号】：J624.1
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