川剧音乐形态研究

发布时间：2019-01-01 19:47

【摘要】：川剧艺术于2005年12月31日被列入国家级非物质文化遗产保护目录,这一事件给川剧艺术带来机会,也带来了挑战。随着国家经济实力的不断增强,民族意识形态逐渐丰富,精神文化素养不断提高,眼见日趋衰落的民族音乐也搭上了这艘“顺风号”,现正健步迈向民族音乐的康庄大道。川剧艺术作为四川省最有影响力的地方戏曲剧种之一,要确保其繁荣发展,只有在百舸争流中奋力前进。川剧是我国戏曲宝库的一颗璀璨明珠,诸多的原因导致了这颗明珠正在黯然地脱离人们的视野,为了避免它真正地沦为“遗产”,我们务必从其内涵、形态等各方面着手保护,以改变川剧这一民族文化将面临“老龄化、理论研究、政治需要”的尴尬境地。因此,川剧的传承与发展必将围绕这种尴尬的局面进行理论的、实践的、与时俱进的深入研究。各个击破,而全面认识川剧音乐的现状是审视其未来发展方向的必经之路。认识川剧的艺术本质需从川剧音乐的形态入手,以马克思:“意识决定形态,形态对于意识有能动作用”观点为研究态度,通过对各时期的川剧音乐的形态研究,认识各个时期川剧艺术的本质,从而全面地认识、传承和发展川剧艺术。本文将分四章来论述川剧音乐的形态研究,第一章论述川剧的发展概要,并从川剧传承过程中的“五态”即地态、心态、史态、语态和乐态等五个方面入手广义地论述川剧音乐的形态,其中重点对川剧艺术的历史形态作出梳理,以明晰川剧艺术的发展脉络,溯源是为了更有利于传承;第二章从川剧艺术的声腔形态、音乐的曲式及其风格、角色行当、独特的表演形态以及川剧的伴奏乐队形态等入手,狭义的论述川剧艺术的形态,其中川剧音乐的结构及其风格形态研究部分,采用了民族音乐的形态分析方法与西方音乐形态分析方法二者结合的分析方式去分析川剧这一梨园奇葩的音乐结构形态,以图、谱的方式更直观地将音乐形态规律呈现;第三章将其与京剧、豫剧姊妹艺术从音乐形态的角度去加以对比,从而得出川剧艺术形态独具一格之处,以便深入了解这一艺术的精髓;第四章论述川剧音乐的形态在其传承与发展过程中的诸事项,为川剧艺术的繁荣发展铺开一条可行大道。由于中国民族音乐的形态学研究尚无定论,众说纷纭,法无定法,笔者从音乐形态学的角度去研究川剧这一极具民族特色的民族音乐,许多观点只能是浅尝辄止,以期得到专家的批评和指正。
[Abstract]:Sichuan opera art was listed in the national intangible cultural heritage protection catalogue on December 31, 2005. This event brings opportunities and challenges to Sichuan opera art. With the strengthening of national economic strength, the national ideology is gradually rich, the spiritual and cultural literacy is constantly improving, and the declining folk music is now on board the "Shun Feng", and is now striding to the broad road of national music. Sichuan opera art as one of the most influential local opera in Sichuan Province, to ensure its prosperity and development, the only way to ensure its prosperity is to push forward in a hundred ships. Sichuan Opera is a bright pearl in the treasure-house of Chinese opera. For many reasons, the pearl is being eclipsed from people's view. In order to avoid it really becoming a "heritage", we must start to protect it from its connotation, form, and other aspects. In order to change the culture of Sichuan opera, it will face the awkward situation of "aging, theoretical research and political need". Therefore, the inheritance and development of Sichuan opera will carry out theoretical, practical and advanced research around this awkward situation. It is the only way to examine the future direction of Sichuan opera music. To understand the artistic essence of Sichuan opera, we should start with the form of Sichuan opera music, take Marx's viewpoint that "consciousness determines form, form has active effect on consciousness" as a research attitude, through studying the form of Sichuan opera music in every period. To understand the essence of Sichuan opera art in every period, so as to understand, inherit and develop Sichuan opera art. This article will divide into four chapters to discuss the form research of Sichuan opera music, the first chapter discusses the development outline of Sichuan opera, and from the "five states" in the course of Sichuan opera inheritance, namely ground state, state of mind, historical state, This paper discusses the form of Sichuan opera music in a broad sense from five aspects, such as voice and music, among which the emphasis is to sort out the historical form of Sichuan opera art in order to clarify the development of Sichuan opera art, and trace back to the source in order to be more conducive to inheritance. The second chapter begins with the vocal form of Sichuan opera art, the music form and its style, the role trade, the unique performance form and the accompaniment band form of Sichuan opera, and discusses the form of Sichuan opera art in a narrow sense. In the part of studying the structure and style of Sichuan opera music, we use the combination of folk music analysis method and western music form analysis method to analyze the music structure form of Sichuan opera, which is a rare flower of pear garden, in order to figure out. The form of music is presented more intuitively by the way of spectrum. The third chapter compares it with Beijing Opera and Henan Opera from the angle of musical form, so as to find out the unique features of Sichuan Opera art form, so as to understand the essence of this art. The fourth chapter discusses the forms of Sichuan opera music in its inheritance and development of the various matters, for the prosperity and development of Sichuan opera to open a feasible way. As the morphological study of Chinese folk music has not yet been decided, there are different opinions, and there is no definite method of law. From the perspective of musical morphology, the author studies Sichuan Opera, a folk music with great national characteristics, many of which can only be tasted. In order to get expert criticism and correction.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J617.5

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