桂东北灌阳县上乡丧葬音乐研究
发布时间：2019-01-03 06:08
【摘要】：本文用“从文化脉络中研究音乐和从音乐中理解文化”的方法，研究广西灌阳县上乡丧葬音乐。论文阐述了灌阳县上乡丧葬音乐得以产生的地理文化背景、灌阳县上乡丧葬音乐的类型操作、本体形态，并探究了其中蕴含的文化意义。 灌阳县上乡丧葬音乐，存活在历史上属于湘楚的、较封闭的地理文化环境中，有“孝歌、道师音乐、哭”三类。简称“三乐”。 “孝歌”由歌手们晚上在灵堂演唱，旋律由板诵型和歌唱型音调构成。 “道师音乐”由道师们操作，有法事音乐和响乐师音乐两部分。法事音乐有“念、唱、奏”三类。“念”的音调由三声腔向两端扩展构成。“唱”的音调是一个自“羽”音五声级进下行的结构。“奏”的音调同“唱”，但少了凄婉，多了自由、活泼。响乐师音乐是一些曲牌音乐。 “哭”由孝家女性亲属操作，音调为自“徵”音五声级进下行的结构。 丧葬音乐的三种类型虽然由不同的人具体操作，但却是在以亡者为中心的同一场地、同一时间内演示。本文指出了丧葬仪式活动中原生态的三乐共响现象，阐述它惊动天、地、人三界的无边功力；提出三灵空间概念，说明其相互关系；提出三灵时间概念，解释其特点。本文诠释了三乐共响所造成的对于三灵空间的破域和三灵时间的超越，，窥探当地居民关于丧葬文化的时空观和道德观。 上述诸方面，愿能填补灌阳县乃至中国丧葬音乐研究的一些空白。并对我国的民族音乐理论建设提供一点参考。
[Abstract]:Using the method of "studying music from cultural context and understanding culture from music", this paper studies the music of burial in Shangxiang, Guanyang County, Guangxi. This paper expounds the geographical and cultural background of the funeral music in Shangxiang County of Guanyang County, the types and forms of funeral music in Shangxiang County of Guanyang County, and probes into the cultural significance contained therein. Guanyang County Shangxiang funeral music, living in the history of Xiangchu, more closed geographical and cultural environment, there are "filial piety song, Taoist music, crying" three types. Abbreviated to "three Music". Song of filial piety is sung by singers in Lingtang at night. The melody is composed of chanting and singing tones. Taoist Music is operated by Taoists. There are two parts of Daoist Music and Orchestra Music. There are three kinds of music: recitation, singing and playing. The tone of "read" consists of a three-tone expansion toward both ends. The tone of singing is a structure that moves downwards from the five levels of the Feather. The tone of the play is the same as the song, but less melancholy, more free, more lively. A musician's music is some piece of music. Cry is operated by female relatives of filial piety. Although the three types of funeral music are operated by different people, they are demonstrated at the same place and at the same time. This paper points out the phenomenon of "three music and co-ringing" in the original ecology in funeral ceremony, expounds its boundless power of stirring up the sky, earth and human beings, puts forward the concept of "three spirits" space, explains the relationship between them, and puts forward the concept of "three spirits" time and explains its characteristics. This paper interprets the transcendence of the three spirits' space and the time of the three spirits caused by the three music symphonies, and probes into the local residents' views on the time and space and morality of the funeral culture. The above aspects wish to fill in some gaps in the study of funeral music in Guanyang County and even China. And to our country's national music theory construction provides a little reference.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J605
本文编号：2398990
[Abstract]:Using the method of "studying music from cultural context and understanding culture from music", this paper studies the music of burial in Shangxiang, Guanyang County, Guangxi. This paper expounds the geographical and cultural background of the funeral music in Shangxiang County of Guanyang County, the types and forms of funeral music in Shangxiang County of Guanyang County, and probes into the cultural significance contained therein. Guanyang County Shangxiang funeral music, living in the history of Xiangchu, more closed geographical and cultural environment, there are "filial piety song, Taoist music, crying" three types. Abbreviated to "three Music". Song of filial piety is sung by singers in Lingtang at night. The melody is composed of chanting and singing tones. Taoist Music is operated by Taoists. There are two parts of Daoist Music and Orchestra Music. There are three kinds of music: recitation, singing and playing. The tone of "read" consists of a three-tone expansion toward both ends. The tone of singing is a structure that moves downwards from the five levels of the Feather. The tone of the play is the same as the song, but less melancholy, more free, more lively. A musician's music is some piece of music. Cry is operated by female relatives of filial piety. Although the three types of funeral music are operated by different people, they are demonstrated at the same place and at the same time. This paper points out the phenomenon of "three music and co-ringing" in the original ecology in funeral ceremony, expounds its boundless power of stirring up the sky, earth and human beings, puts forward the concept of "three spirits" space, explains the relationship between them, and puts forward the concept of "three spirits" time and explains its characteristics. This paper interprets the transcendence of the three spirits' space and the time of the three spirits caused by the three music symphonies, and probes into the local residents' views on the time and space and morality of the funeral culture. The above aspects wish to fill in some gaps in the study of funeral music in Guanyang County and even China. And to our country's national music theory construction provides a little reference.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J605
【引证文献】
相关硕士学位论文 前2条
1 吴越;福建宁化治平池氏关刀文武花灯祭祖仪式音乐文化研究[D];福建师范大学;2011年
2 肖威;大林镇丧葬仪式音乐研究[D];河南大学;2012年
本文编号：2398990
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