舒曼《C大调幻想曲》OP.17的文本与诠释
发布时间：2019-02-13 12:35
【摘要】：罗伯特·舒曼（Robert Schumann）是19世纪浪漫主义时期杰出的作曲家及音乐评论家。作为一位浪漫主义音乐的革新者，舒曼为19世纪浪漫主义音乐的发展做出了不可磨灭的贡献，，其中钢琴作品的创作作为舒曼音乐创作领域的重要组成部分，集中体现了他冲破传统创作手法束缚、将个人主观情感的表达与作品的音乐内涵作为创作出发点的创作风格与理念。本文所要论述的《C大调幻想曲》Op.17正是这样一部表达作曲家强烈个人情感的力作，被认为是19世纪钢琴文献的里程碑。 本文以《C大调幻想曲》Op.17为研究对象，对其进行详尽的文本解读及诠释分析。正文主要分为三个部分：第一部分对舒曼的钢琴音乐创作以及幻想曲的体裁特征做出简要论述；第二部分从结构、主题、和声调性、节奏形态、多声部织体五个方面，对《C大调幻想曲》Op.17做出详尽的文本解读；第三部分对《C大调幻想曲》Op.17的演奏诠释做出全面的论述。
[Abstract]:Robert Schumann (Robert Schumann) was an outstanding composer and music critic during the romantic period in the 19 th century. As an innovator of romantic music, Schumann made an indelible contribution to the development of romantic music in the 19th century. It embodies his creative style and idea of breaking through the bondage of traditional creative techniques and taking the expression of personal subjective emotion and the musical connotation of his works as the starting point of his creation. The Fantasia in C major, "Fantasia in C major", discussed in this paper, is such a masterpiece that expresses the composer's strong personal feelings and is regarded as a milestone in the piano literature of the 19th century. This paper takes Fantasia in C major Op.17 as the research object, carries on the detailed text interpretation and the interpretation analysis to it. The main body is divided into three parts: the first part of Schumann's piano music creation and fantasy genre characteristics made a brief discussion; In the second part, from the structure, the theme, the tone, the rhythm form, the polyphonic texture five aspects, makes the detailed text interpretation to "Fantasia in C major" Op.17; The third part makes a comprehensive discussion on the interpretation of Fantasia in C major, Op.17.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J624.1
本文编号：2421552
[Abstract]:Robert Schumann (Robert Schumann) was an outstanding composer and music critic during the romantic period in the 19 th century. As an innovator of romantic music, Schumann made an indelible contribution to the development of romantic music in the 19th century. It embodies his creative style and idea of breaking through the bondage of traditional creative techniques and taking the expression of personal subjective emotion and the musical connotation of his works as the starting point of his creation. The Fantasia in C major, "Fantasia in C major", discussed in this paper, is such a masterpiece that expresses the composer's strong personal feelings and is regarded as a milestone in the piano literature of the 19th century. This paper takes Fantasia in C major Op.17 as the research object, carries on the detailed text interpretation and the interpretation analysis to it. The main body is divided into three parts: the first part of Schumann's piano music creation and fantasy genre characteristics made a brief discussion; In the second part, from the structure, the theme, the tone, the rhythm form, the polyphonic texture five aspects, makes the detailed text interpretation to "Fantasia in C major" Op.17; The third part makes a comprehensive discussion on the interpretation of Fantasia in C major, Op.17.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J624.1
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相关硕士学位论文 前1条
1 郭小虎;舒曼《C大调幻想曲》作曲技法研究[D];陕西师范大学;2008年
本文编号：2421552
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