德彪西《g小调弦乐四重奏》的创作技法研究
发布时间：2019-02-20 21:07
【摘要】：本文通过对德彪西《g小调弦乐四重奏》创作技法的研究，试图探讨在这首作品中所反映出的德彪西创作风格的多样性。本文提出：作曲家创作风格的独特性与广泛性是不可分割的两个方面，，德彪西作为印象主义作曲家的重要地位是毋庸置疑的，但是他的作品所反映出的其它风格特征也是不容忽视的。本文从作品中独特的调式处理、黄金分割比例的运用、主题的发展、调性的呈现方式这四个方面来透视德彪两《g小调弦乐四重奏》中风格的多样性——既有印象主义的风格特征，也有德彪西晚期作品中出现的古典主义的先兆。德彪西对古典的回顾扩展了美学的趣味性，生发了新的内涵，其创新价值为二十世纪的作曲家开辟了新的道路。
[Abstract]:By studying Debussy's creative techniques in string Quartet in g minor, this paper attempts to explore the diversity of Debussy's creative styles reflected in this work. This paper points out that the uniqueness and extensiveness of the composer's creative style are two inseparable aspects, and Debussy's important position as an impressionist composer is beyond doubt. But the other style features reflected in his works can not be ignored. This article from the work of the unique mode of treatment, the use of golden proportion, the development of the theme, From these four aspects, we can see the variety of styles in de Biao's two string Quartet in G minor-the characteristic of impressionism and the foreboding of classicism in Debussy's late works. Debussy's retrospect of classical has expanded the interest of aesthetics and created new connotations, and its innovative value has opened a new way for the composers of the 20th century.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J614
本文编号：2427270
[Abstract]:By studying Debussy's creative techniques in string Quartet in g minor, this paper attempts to explore the diversity of Debussy's creative styles reflected in this work. This paper points out that the uniqueness and extensiveness of the composer's creative style are two inseparable aspects, and Debussy's important position as an impressionist composer is beyond doubt. But the other style features reflected in his works can not be ignored. This article from the work of the unique mode of treatment, the use of golden proportion, the development of the theme, From these four aspects, we can see the variety of styles in de Biao's two string Quartet in G minor-the characteristic of impressionism and the foreboding of classicism in Debussy's late works. Debussy's retrospect of classical has expanded the interest of aesthetics and created new connotations, and its innovative value has opened a new way for the composers of the 20th century.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J614
【引证文献】
相关硕士学位论文 前2条
1 龚岳萍;倾听阳光的脚步声[D];东北师范大学;2007年
2 钟媛媛;《德彪西d小调大提琴与钢琴奏鸣曲》结构和演奏分析[D];中央音乐学院;2012年
本文编号：2427270
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