库夏科夫《春天组曲》曲式、和声及演奏技法研究
发布时间：2019-04-01 15:27
【摘要】：俄罗斯著名作曲家安纳托利·伊凡诺维奇·库夏科夫(akusyakov,Anatoly Ivanovich,1945---2007)的一生创作了许多风格各异的音乐作品,在他的中期创作时即开始了对现代派创作技法的尝试,此后则不乏明显带有新浪漫主义风格的作品问世,这些作品频繁的出现在世界各国手风琴比赛及音乐会中,在观众和演奏者中都享有广泛的声誉。 《春天组曲》(Spring Visions)是库夏科夫的晚年之作,创作于1999年,是其现代派音乐作品中的代表作之一,共由“在地球上”、“春之声”、“冬天的回音”、“梦境”、“狂欢之鸟”、“朝着太阳”六个乐章组成。该作品将现代主义表现手法运用的淋漓尽致,其中十二序列音体系、高位叠置和弦、音簇、不协和的尖锐音响以及排气阀门的使用等现代派创作技法都在作品中体现出来。这首作品的演奏难度较高,既要求演奏者有过硬的演奏功底以完成作品中大量的快速跑动及大跨度和弦转换,又要求表演者具备丰富的想象力以表现出作品中细腻的情感变化。 本文将以四个部分对作品进行研究讨论: 第一部分主要从作曲家本人的生平经历、创作特点以及《春天组曲》独特创作背景等方面入手,展开讨论,从而对作品进行总体上的把握。 第二部分是《春天组曲》的和声分析,先按照乐章顺序逐一论述,后在章节最后从宏观角度对作曲家和声写作特色进行总体概述。 第三部分是对《春天组曲》曲式结构的研究与分析。在对各乐章结构做出图示分析的基础上,以主题材料在全曲各乐章中的贯穿为线索,以联系的眼光探究该曲式结构对音乐作品整体布局的影响及意义。 第四部分是对《春天组曲》在演奏方法上的研究与探索。笔者以自身演奏经验对作品在音乐处理、技巧运用等方面做出相应演奏提示。 本文将主要针对该作品的现代和声创作手法予以分析,试图从技术层面解析该作品的风格特点及美学意义,并辅助以有关该作品音乐演奏技法的详细论述,希望能够通过本论文的写作发掘出《春天组曲》更多的内在价值,为手风琴音乐创作及现代派作品演奏等方面的发展尽绵薄之力。
[Abstract]:The famous Russian composer Anatoli Ivanovic Kuchakov (akusyakov,Anatoly Ivanovich,1945-2007) has created many musical works of different styles in his life, and in his mid-term creation, he began an attempt at modernist creative techniques. Since then, there have been many works with a new romantic style, which frequently appeared in accordion competitions and concerts all over the world, and enjoyed a wide reputation among the audience and performers. "Spring Suite" (Spring Visions) is Kuchakov's late life work, created in 1999, is one of the representative works of his modernist music, together with "on Earth", "Spring Voice", "Winter echoes", "Dreamland". "Birds of Carnival", "towards the Sun" is composed of six movements. The works give full play to the use of modernist expressive techniques, in which twelve sequential phonological systems, high-level superimposed chords, phonological clusters, discordant sharp sound and the use of exhaust valves are all embodied in the works. The performance of this work is difficult, which requires the performer to have a good performance skill to complete a large number of fast running and long-span chord conversion in the work, but also requires the performer to have rich imagination in order to show the delicate emotional changes in the work. This article will study and discuss the works in four parts: the first part mainly from the composer's own life experience, creative characteristics and the unique creative background of the Spring Suite, and so on, to start with the discussion of the composer's own life experience, creative characteristics and the unique creative background of the Spring Suite. Thus carries on the overall grasp to the work. The second part is the harmony analysis of "Spring Suite", which first discusses one by one according to the sequence of movements, and then gives a general overview of composer's harmony writing characteristics from the macro point of view at the end of the chapter. The third part is the research and analysis of the spring composition. On the basis of illustrative analysis of the structure of each movement, this paper explores the influence and significance of the musical structure on the overall layout of musical works by taking the theme material running through each movement of the whole song as a clue, and exploring the influence and significance of the musical structure on the overall layout of the musical works from the perspective of connection. The fourth part is the research and exploration on the performance method of Spring Suite. The author based on his own playing experience in the music processing, skills and other aspects of the corresponding playing tips. This article will mainly analyze the modern harmony creation methods of this work, try to analyze the style, characteristics and aesthetic significance of the work from the technical level, and assist in the detailed exposition of the music performance techniques of the work. It is hoped that we can discover more intrinsic value of Spring Suite through the writing of this thesis, and contribute a little to the development of accordion music creation and modern music performance.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J614
本文编号：2451667
[Abstract]:The famous Russian composer Anatoli Ivanovic Kuchakov (akusyakov,Anatoly Ivanovich,1945-2007) has created many musical works of different styles in his life, and in his mid-term creation, he began an attempt at modernist creative techniques. Since then, there have been many works with a new romantic style, which frequently appeared in accordion competitions and concerts all over the world, and enjoyed a wide reputation among the audience and performers. "Spring Suite" (Spring Visions) is Kuchakov's late life work, created in 1999, is one of the representative works of his modernist music, together with "on Earth", "Spring Voice", "Winter echoes", "Dreamland". "Birds of Carnival", "towards the Sun" is composed of six movements. The works give full play to the use of modernist expressive techniques, in which twelve sequential phonological systems, high-level superimposed chords, phonological clusters, discordant sharp sound and the use of exhaust valves are all embodied in the works. The performance of this work is difficult, which requires the performer to have a good performance skill to complete a large number of fast running and long-span chord conversion in the work, but also requires the performer to have rich imagination in order to show the delicate emotional changes in the work. This article will study and discuss the works in four parts: the first part mainly from the composer's own life experience, creative characteristics and the unique creative background of the Spring Suite, and so on, to start with the discussion of the composer's own life experience, creative characteristics and the unique creative background of the Spring Suite. Thus carries on the overall grasp to the work. The second part is the harmony analysis of "Spring Suite", which first discusses one by one according to the sequence of movements, and then gives a general overview of composer's harmony writing characteristics from the macro point of view at the end of the chapter. The third part is the research and analysis of the spring composition. On the basis of illustrative analysis of the structure of each movement, this paper explores the influence and significance of the musical structure on the overall layout of musical works by taking the theme material running through each movement of the whole song as a clue, and exploring the influence and significance of the musical structure on the overall layout of the musical works from the perspective of connection. The fourth part is the research and exploration on the performance method of Spring Suite. The author based on his own playing experience in the music processing, skills and other aspects of the corresponding playing tips. This article will mainly analyze the modern harmony creation methods of this work, try to analyze the style, characteristics and aesthetic significance of the work from the technical level, and assist in the detailed exposition of the music performance techniques of the work. It is hoped that we can discover more intrinsic value of Spring Suite through the writing of this thesis, and contribute a little to the development of accordion music creation and modern music performance.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J614
【参考文献】
相关期刊论文 前2条
1 车莎莎;;传统与现代融合的经典——对库夏科夫手风琴作品《冬季素描》的音乐分析[J];大舞台(双月号);2008年04期
2 A·施尼特凯 ,李应华;现代音乐中的复风格倾向[J];人民音乐;1993年03期
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