三首浪漫时期钢琴叙事曲的比较分析
发布时间：2019-04-02 02:51
【摘要】： 随着19世纪初文学浪漫主义的形成，从19世纪20年代开始贯穿整个19世纪直到20世纪初的历史时期中，音乐浪漫主义掀起了高潮。随之钢琴音乐进入了它的鼎盛时期，大量强调个人的抒情性，偏重幻想和夸张的浪漫钢琴作品成为后世钢琴文献的重要组成部分。无论是钢琴本身性能的完备，还是钢琴音乐的创作，演奏技术等方面都得到了空前的发展。 论文之所以选择了肖邦、勃拉姆斯和格里格三位浪漫时期作曲家的叙事曲进行对比分析，是因为他们的这一体裁的作品具有特定的代表性，在一定程度上代表了钢琴叙事曲的典型风格：肖邦开创了钢琴叙事曲的先河，他的四首叙事曲堪称为此体裁的典范，深刻的影响了此后作曲家对同一体裁的创作；勃拉姆斯是第一位以民俗叙事诗为标题来创作叙事曲的作曲家，他的钢琴叙事曲作品10是四首小品构成的套曲形式；格里格钢琴叙事曲作品24是采用挪威民谣为主题，以变奏曲式的形式展开的作品，带有浓郁的北欧风情。 本论文以三首浪漫时期的钢琴叙事曲作为研究对象，通过对典型风格作品的对比分析，发现之间的异同，主要想突出揭示作曲家如何用音乐语言来表现与文学有关的内容。结论力图从以上分析中概括出三首钢琴叙事曲的共性特征，并从宏观的角度对比出它们的不同，，最终引申出对后世音乐发展的影响和意义。 本文的突破点是运用比较的方法揭示了钢琴叙事曲体裁的某些内涵，巧妙之处是从个性的对比发现共性的特征，并在共性的基础上概括的得出个性的不同之处。
[Abstract]:With the formation of literary romanticism in the early 19th century, musical romanticism began to rise in the historical period from 1920s through the whole 19th century to the beginning of the 20th century. With the piano music entering its heyday, a great deal of emphasis on individual lyricism, the emphasis on fantasy and exaggeration of romantic piano works have become an important part of the piano literature of later generations. No matter the complete performance of the piano itself, or the creation of piano music, performance technology and other aspects have been unprecedented development. The reason why the thesis chooses Chopin, Brahms and Grieg to make a comparative analysis of the narrative songs of the three romantic period composers is that their works of this genre have specific representativeness. To a certain extent, it represents the typical style of piano narratology: Chopin pioneered the piano narrative music, and his four narrative songs could be regarded as a model of this genre, which profoundly influenced the composer's creation of the same genre; Brahms is the first composer to write narrative songs with the title of folk-custom narrative poems. His piano narrative works 10 is a series of four sketches. Grieger Piano narrative works 24 is carried out with Norwegian ballads as the theme, in the form of variations, with a rich Nordic style. This thesis takes three piano narratives of romantic period as the research object, through the comparative analysis of the typical style works, finds the similarities and differences, mainly wants to highlight the composer how to use the music language to express the literature-related content, the main purpose is to reveal how the composer uses the music language to express the literature-related content. The conclusion attempts to generalize the common characteristics of the three piano narrative songs from the above analysis, and compares their differences from the macro point of view, and finally extends the influence and significance to the development of later music. The breakthrough point of this paper is to reveal some connotations of piano narrative genre by means of comparative method. The ingenious point is to discover the common characteristics from the comparison of personality, and to generalize the differences of personality on the basis of generality.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J605
本文编号：2452164
[Abstract]:With the formation of literary romanticism in the early 19th century, musical romanticism began to rise in the historical period from 1920s through the whole 19th century to the beginning of the 20th century. With the piano music entering its heyday, a great deal of emphasis on individual lyricism, the emphasis on fantasy and exaggeration of romantic piano works have become an important part of the piano literature of later generations. No matter the complete performance of the piano itself, or the creation of piano music, performance technology and other aspects have been unprecedented development. The reason why the thesis chooses Chopin, Brahms and Grieg to make a comparative analysis of the narrative songs of the three romantic period composers is that their works of this genre have specific representativeness. To a certain extent, it represents the typical style of piano narratology: Chopin pioneered the piano narrative music, and his four narrative songs could be regarded as a model of this genre, which profoundly influenced the composer's creation of the same genre; Brahms is the first composer to write narrative songs with the title of folk-custom narrative poems. His piano narrative works 10 is a series of four sketches. Grieger Piano narrative works 24 is carried out with Norwegian ballads as the theme, in the form of variations, with a rich Nordic style. This thesis takes three piano narratives of romantic period as the research object, through the comparative analysis of the typical style works, finds the similarities and differences, mainly wants to highlight the composer how to use the music language to express the literature-related content, the main purpose is to reveal how the composer uses the music language to express the literature-related content. The conclusion attempts to generalize the common characteristics of the three piano narrative songs from the above analysis, and compares their differences from the macro point of view, and finally extends the influence and significance to the development of later music. The breakthrough point of this paper is to reveal some connotations of piano narrative genre by means of comparative method. The ingenious point is to discover the common characteristics from the comparison of personality, and to generalize the differences of personality on the basis of generality.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J605
【引证文献】
相关期刊论文 前2条
1 张丛丛;;勃拉姆斯《d小调叙事曲》的创作手法与演奏分析[J];北方文学(下半月);2011年11期
2 林剑;;勃拉姆斯交响曲的发展特点探析[J];名作欣赏;2012年15期
本文编号：2452164
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