琴歌《归去来辞》之明清谱本流变研究
发布时间：2019-04-02 16:07
【摘要】：根据魏晋名家陶渊明《归去来辞》编配的同名琴歌,是现存的琴歌经典中,一首诠释琴人隐逸思想及文化精神的代表作。入乐演唱后,其歌词与原作保持一致,音调简洁而耐人寻味,是对诗歌意境的再现和扩展。因而,该琴歌为明清时期的诸多琴歌谱集所竞相收录,并衍变出三大支系谱本群。 本文分为四个部分,第一部分先从探讨琴歌《归去来辞》文化内涵着手,通过阐释陶渊明的文化价值和辞赋《归去来兮辞》的文学价值,继而对现存琴歌《归去来辞》谱本进行梳理,将其谱本以时间为序罗列于表格之上；通过谱本研究和比对,进而推出其演变为三大支系谱本群的论点。第二部分共四节,是对琴歌《归去来辞》第一支系谱本,即《谢琳太古遗音》本支系谱本的详尽分析和研究,阐明其流变形态和变异方式。第三部分共三节,首先是对琴歌《归去来辞》第二、三支系谱本,即《梧冈琴谱》本支系谱本和《徽言秘旨订》本支系谱本流变形态的梳理和研究。然后,分别将两者与《谢琳太古遗音》本支系谱本进行比对,试图寻找隐藏在谱本背后的,部分古琴流派的演奏风格和审美倾向。第四部分是透过琴歌《归去来辞》的谱本流变,对其所呈现出的明代“琴歌派”之艺术成就、明清琴乐特征之演变轨迹和明清琴歌艺术之发展态势这三个方面,进行深层次的探讨和研究。
[Abstract]:The piano song of the same name according to Tao Yuanming, a famous scholar in Wei and Jin dynasties, is a representative work to explain the reclusive thought and cultural spirit of the pianist in the extant classical piano songs. After singing, the lyrics are consistent with the original works, the tone is simple and intriguing, and it is the reproduction and expansion of the artistic conception of poetry. Therefore, the piano song for Ming and Qing dynasties of many piano music collection of competing collection, and evolved into three genealogical genealogy groups. This article is divided into four parts. The first part begins with the discussion of the cultural connotation of the piano song "return and return", and explains the cultural value of Tao Yuanming and the literary value of the ci-Fu "return-to-the-Origin" by explaining the cultural value of Tao Yuanming and the literary value of the ci Fu. Then it combs the composition of the existing piano songs, and lists them in the order of time on the table. Through the study and comparison of the spectrum books, the argument of the evolution of the spectrum group into the three major branch lineages is deduced. The second part is a detailed analysis and study of the genealogy of the first genealogy of the piano song, Xielin's Straits of the Ancient Times, and elucidates its rheological morphology and mode of variation. The third part is composed of three sections. The first is to sort out and study the original rheological forms of the original genealogy of the three genealogical genealogy, that is, the original genealogy of the genealogy, that is, the genealogy of Wugangqin and the original genealogy of "the secret of Huiyuanjie". Then, we compare the two genres with the genealogy of Xielin's Swire Legend, and try to find out the playing style and aesthetic tendency of some of the genres of Guqin hidden behind the genealogy. The fourth part is through the evolution of the composition of the Qin Song, the artistic achievements of the "Qin Song School" in the Ming Dynasty, the evolution track of the Qin music characteristics in the Ming and Qing dynasties, and the development trend of the Qin Song art in the Ming and Qing dynasties, and the development trend of the Qin Song Art in the Ming and Qing dynasties. Carry on the in-depth discussion and the research.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J609.2
本文编号：2452697
[Abstract]:The piano song of the same name according to Tao Yuanming, a famous scholar in Wei and Jin dynasties, is a representative work to explain the reclusive thought and cultural spirit of the pianist in the extant classical piano songs. After singing, the lyrics are consistent with the original works, the tone is simple and intriguing, and it is the reproduction and expansion of the artistic conception of poetry. Therefore, the piano song for Ming and Qing dynasties of many piano music collection of competing collection, and evolved into three genealogical genealogy groups. This article is divided into four parts. The first part begins with the discussion of the cultural connotation of the piano song "return and return", and explains the cultural value of Tao Yuanming and the literary value of the ci-Fu "return-to-the-Origin" by explaining the cultural value of Tao Yuanming and the literary value of the ci Fu. Then it combs the composition of the existing piano songs, and lists them in the order of time on the table. Through the study and comparison of the spectrum books, the argument of the evolution of the spectrum group into the three major branch lineages is deduced. The second part is a detailed analysis and study of the genealogy of the first genealogy of the piano song, Xielin's Straits of the Ancient Times, and elucidates its rheological morphology and mode of variation. The third part is composed of three sections. The first is to sort out and study the original rheological forms of the original genealogy of the three genealogical genealogy, that is, the original genealogy of the genealogy, that is, the genealogy of Wugangqin and the original genealogy of "the secret of Huiyuanjie". Then, we compare the two genres with the genealogy of Xielin's Swire Legend, and try to find out the playing style and aesthetic tendency of some of the genres of Guqin hidden behind the genealogy. The fourth part is through the evolution of the composition of the Qin Song, the artistic achievements of the "Qin Song School" in the Ming Dynasty, the evolution track of the Qin music characteristics in the Ming and Qing dynasties, and the development trend of the Qin Song art in the Ming and Qing dynasties, and the development trend of the Qin Song Art in the Ming and Qing dynasties. Carry on the in-depth discussion and the research.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J609.2
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