对音乐表演艺术中跨界现象的探究

发布时间：2019-04-09 09:33

【摘要】：在当前提倡交融的社会大背景下,跨界音乐作为一种新型的音乐表演形式,是当今音乐领域发展的动力所在。本论文即关注中外跨界音乐现象,笔者力图突破理论缺口,对跨界表演进行理性分析。笔者采用了历史音乐学方法和文献研究法,力求得出对跨界音乐表演比较完整、准确的认识;并运用直接观察法,通过直接观摩现场演出、观赏大量视频,对例证进行体验、分析,以获得实在的认知;同时,对所掌握的资料进行思考、过滤、比较、推理,运用多学科理论从整体上对课题进行了综合研究。在撰写过程中,从跨界音乐表演的成因分析入手,继而通过归纳笔者亲身观看的大量演出实例对其类型进行划分,然后对跨界音乐表演中的普遍性特点进行总结,并进一步分析其背后所折射出的利弊点,最后对跨界表演给予客观评价,以期能够引发人们产生关注和思考,促进跨界音乐表演的完善与发展。虽然仍有许多不足之处留待日后改进,但笔者由衷希望本论文可以用于指导实践,使致力于从事跨界音乐的表演者们从中汲取营养,能够将积极的因素得以发扬,并将消极的因素得以改良,为其创新演绎提供可能;也希望为音乐爱好者们提供可供参考、借鉴的经验,引导其能够更为理性地去关注和欣赏跨界音乐表演。
[Abstract]:Under the current social background of blending, cross-border music, as a new form of music performance, is the driving force of the development of the music field. This paper is concerned about the phenomenon of cross-border music at home and abroad, the author tries to break through the theoretical gap and conduct a rational analysis of cross-border performance. The author has adopted the historical music method and the literature research method, strives to obtain the relatively complete, accurate understanding to the cross-border music performance; And use the direct observation method, through the direct observation live performance, watch a large number of videos, to the example experience, analysis, in order to obtain the real cognition; At the same time, the author thinks, filters, compares, deduces, and makes a comprehensive study of the subject by using multi-disciplinary theory. In the process of writing, starting with the analysis of the causes of cross-border music performances, the author classifies the types of performances by summing up a large number of examples watched by the author in person, and then summarizes the universal characteristics of cross-border music performances. And further analyzes the advantages and disadvantages behind it, finally gives an objective evaluation of cross-border performance, with a view to arousing people's attention and thinking, to promote the improvement and development of cross-border music performance. Although there are still many shortcomings to be improved in the future, I sincerely hope that this paper can be used to guide practice so that performers working on cross-border music can draw nutrition from it and carry forward the positive factors. And the negative factors can be improved to provide the possibility for its innovative deduction; It also hopes to provide reference and experience for music enthusiasts to guide them to pay more attention to and appreciate cross-border music performances.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J604.6

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