瞿希贤几首民歌改编无伴奏合唱曲探究
发布时间：2019-04-25 06:53
【摘要】：民歌就像一面镜子,能够真实地映照出一个民族的风貌,显露出一个民族的文化；民歌还可以反映一个民族的性格特点和风俗习惯,反映他们对美好生活的渴求并抒发思想感情。总之,民歌和人民生活血肉相连,对传承发展民族文化也起着极为重要的作用。 瞿希贤(1919.9.23—2008.3.19),我国著名女作曲家,半个世纪以来,她推出了一批根据民歌改编而成的具有民族传统文化特点、题材多样、形象鲜活的优秀合唱作品。她改编的无伴奏合唱曲更是经典,在中国民族合唱作品中占据了重要地位。同时,她还是我国较早探索无伴奏合唱并对这一体裁做出独特的贡献、取得重大成功的作曲家之一。她所编写的无伴奏合唱歌曲《牧歌》(东蒙民歌,海默填词)已传唱了整整半个世纪,无愧为中国无伴奏合唱中的珍品。 本文分为引言、正文和结语三部分。引言,主要论述本论文的研究方法、目的、意义以及当前研究现状。正文分为以下四章：第一章,关于合唱改编曲,主要介绍音乐作品的改编、无伴奏合唱以及民歌改编无伴奏合唱曲；第二章,瞿希贤的合唱音乐,简述瞿希贤的合唱作品以及她对中国合唱创作和发展的影响；第三章,瞿希贤民歌改编无伴奏合唱曲产生的背景,主要从时代因素和个人因素来分析；第四章,瞿希贤民歌改编无伴奏合唱曲的音乐特征,分为作品结构和音乐写作手法两个方面。结语,本文得出的结论。
[Abstract]:Folk songs, like a mirror, can truly reflect the features of a nation and reveal the culture of a nation; Folk songs can also reflect a nation's personality characteristics, customs and customs, reflect their desire for a better life and express their thoughts and feelings. In short, folk songs and people's lives are linked to each other, and play a very important role in the inheritance and development of national culture. Qu Xixian (1919.9.23, 2008.19), a famous female composer in China, has put forward a group of excellent chorus works based on folk songs with the characteristics of national traditional culture, diverse themes and vivid images for half a century. Her unaccompanied chorus is a classic, which occupies an important position in Chinese national chorus. At the same time, she is also one of the composers who explored the chorus without accompaniment and made a unique contribution to this genre. Her unaccompanied chorus, Pastoral (Eastern Mongolian Folk, Hemmer), has been sung for half a century and deserves to be a treasure in China's unaccompanied chorus. This paper is divided into three parts: introduction, text and conclusion. The introduction mainly discusses the research method, purpose, significance and current research status of this paper. The text is divided into the following four chapters: the first chapter, about the chorus adaptation, mainly introduces the adaptation of music works, unaccompanied chorus and folk song adaptation without accompaniment chorus; The second chapter, Qu Xixian's chorus music, briefly described Qu Xixian's chorus works and her influence on the creation and development of Chinese chorus; The third chapter, Qu Xixian folk song adaptation without accompaniment chorus background, mainly from the times and personal factors to analyze; The fourth chapter, Qu Xixian folk song adaptation without accompaniment chorus music features, divided into two aspects of work structure and music writing techniques. Conclusion, the conclusion of this paper.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J616.2
本文编号：2464886
[Abstract]:Folk songs, like a mirror, can truly reflect the features of a nation and reveal the culture of a nation; Folk songs can also reflect a nation's personality characteristics, customs and customs, reflect their desire for a better life and express their thoughts and feelings. In short, folk songs and people's lives are linked to each other, and play a very important role in the inheritance and development of national culture. Qu Xixian (1919.9.23, 2008.19), a famous female composer in China, has put forward a group of excellent chorus works based on folk songs with the characteristics of national traditional culture, diverse themes and vivid images for half a century. Her unaccompanied chorus is a classic, which occupies an important position in Chinese national chorus. At the same time, she is also one of the composers who explored the chorus without accompaniment and made a unique contribution to this genre. Her unaccompanied chorus, Pastoral (Eastern Mongolian Folk, Hemmer), has been sung for half a century and deserves to be a treasure in China's unaccompanied chorus. This paper is divided into three parts: introduction, text and conclusion. The introduction mainly discusses the research method, purpose, significance and current research status of this paper. The text is divided into the following four chapters: the first chapter, about the chorus adaptation, mainly introduces the adaptation of music works, unaccompanied chorus and folk song adaptation without accompaniment chorus; The second chapter, Qu Xixian's chorus music, briefly described Qu Xixian's chorus works and her influence on the creation and development of Chinese chorus; The third chapter, Qu Xixian folk song adaptation without accompaniment chorus background, mainly from the times and personal factors to analyze; The fourth chapter, Qu Xixian folk song adaptation without accompaniment chorus music features, divided into two aspects of work structure and music writing techniques. Conclusion, the conclusion of this paper.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J616.2
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