对明代之前无定量节拍的一个否定——基于南宋《遏云要诀》尾声与后世曲学文献的记载
发布时间：2019-04-27 05:41
【摘要】：南宋《遏云要诀》所载的"尾声总十二拍"的节拍总数,以及"第一句四拍、第二句五拍、第三句三拍"的节拍分布,正合于《曲律》、《顾误录》、《南曲九宫正始》、《新定九宫大成南词宫谱》、《粟庐曲谱》等后世曲学文献中的相关记载。这一"不逾之法"否定了明代之前中国音乐无定量节拍的观点。
[Abstract]:The total number of beats recorded in the Southern Song Dynasty's "Total Twelve beat at the end", as well as the rhythm distribution of "four beats in the first sentence, five beats in the second sentence, and three beats in the third sentence", coincided with the rhythm of the song, Gu Erlu, and the beginning of the Nine Palace of the Southern qu. The related records in the later literature, such as the Palace Spectrum of Dacheng Nan ci in Xinding Nine Palace, the Su Lu qu Spectrum and so on. This law negates the idea that there is no quantitative rhythm of Chinese music before the Ming Dynasty.
【作者单位】： 上海音乐学院研究生部;
【分类号】：J609.2
[Abstract]:The total number of beats recorded in the Southern Song Dynasty's "Total Twelve beat at the end", as well as the rhythm distribution of "four beats in the first sentence, five beats in the second sentence, and three beats in the third sentence", coincided with the rhythm of the song, Gu Erlu, and the beginning of the Nine Palace of the Southern qu. The related records in the later literature, such as the Palace Spectrum of Dacheng Nan ci in Xinding Nine Palace, the Su Lu qu Spectrum and so on. This law negates the idea that there is no quantitative rhythm of Chinese music before the Ming Dynasty.
【作者单位】： 上海音乐学院研究生部;
【分类号】：J609.2
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