从歌剧《蝴蝶夫人》看普契尼
发布时间：2019-06-18 17:55
【摘要】：就音乐本身而言,它具有感性性和理性性,很少有艺术具有音乐那样严密的逻辑形式。如果单单把音乐当成一个听觉对象,大可不必顾及它的理性性,但如果要更深层次的研究听觉以外的音乐的话,就不得不去关心和研究音乐的理性性了。 本文以普契尼的歌剧《蝴蝶夫人》为切入点,通过对《蝴蝶夫人》从感性认识到理性的研究,通过对《蝴》剧的时代背景、题材、音乐特征等多方面论述普契尼其人以及他的音乐创作风格。 普契尼是继威尔第之后意大利歌剧史上最伟大的作曲家之一,他的创作深受真实主义、威尔第和他母亲的影响。他是一个非常“前卫”的作曲家,普契尼的创作紧跟时代潮流的发展而发展,勇于创新,特别注重戏剧环境与人物性格的刻画,在这方面他有其独到的见解。本文通过对《蝴》剧有关资料的收集,特别是对总谱、音响资料以及普契尼当时的一些有关《蝴》剧的信件分析,理性地研究其创作背景与作品个性,从而来展现普契尼其人。特别是对女主人公巧巧桑的研究,我们可以更加清楚地看到,普契尼是如何对巧巧桑复杂人物心理的塑造,从而更进一步研究其创作风格。
[Abstract]:As far as music itself is concerned, it is perceptual and rational, and few arts have the strict logical form of music. If music is regarded as an auditory object alone, it is unnecessary to consider its rationality, but if we want to study music other than hearing at a deeper level, we have to care about and study the rationality of music. This paper takes Puccini's opera Mrs. Butterfly as the starting point, through the study of Madame Butterfly from perceptual understanding to rationality, and discusses Puccini's people and his music creation style from the background of the times, the subject matter and the characteristics of music. Puccini is one of the greatest composers in the history of Italian opera after Verdi. His creation is deeply influenced by realism, Verdi and his mother. He is a very "avantgarde" composer. Puccini's creation follows the development of the trend of the times and develops with the courage to innovate, paying special attention to the portrayal of drama environment and character. He has his own views in this respect. Through the collection of the relevant materials of the play, especially the analysis of the total spectrum, audio data and some letters about the play by Puccini at that time, this paper rationally studies the creative background and personality of the play, so as to show the Puccini. In particular, with regard to the study of Qiao Sang, the heroine, we can see more clearly how Puccini portrays the psychology of Qiao Sang's complex characters, so as to further study his creative style.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J609.1
本文编号：2501675
[Abstract]:As far as music itself is concerned, it is perceptual and rational, and few arts have the strict logical form of music. If music is regarded as an auditory object alone, it is unnecessary to consider its rationality, but if we want to study music other than hearing at a deeper level, we have to care about and study the rationality of music. This paper takes Puccini's opera Mrs. Butterfly as the starting point, through the study of Madame Butterfly from perceptual understanding to rationality, and discusses Puccini's people and his music creation style from the background of the times, the subject matter and the characteristics of music. Puccini is one of the greatest composers in the history of Italian opera after Verdi. His creation is deeply influenced by realism, Verdi and his mother. He is a very "avantgarde" composer. Puccini's creation follows the development of the trend of the times and develops with the courage to innovate, paying special attention to the portrayal of drama environment and character. He has his own views in this respect. Through the collection of the relevant materials of the play, especially the analysis of the total spectrum, audio data and some letters about the play by Puccini at that time, this paper rationally studies the creative background and personality of the play, so as to show the Puccini. In particular, with regard to the study of Qiao Sang, the heroine, we can see more clearly how Puccini portrays the psychology of Qiao Sang's complex characters, so as to further study his creative style.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J609.1
【引证文献】
相关硕士学位论文 前1条
1 刘春平;跨越时空的永恒经典[D];西南大学;2011年
，本文编号：2501675
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