木卡姆学的历史与现状
发布时间：2019-06-21 17:08
【摘要】：木卡姆作为全球性的音乐文化现象，在国际上吸引了诸多音乐界和社会科学界人士的注意。木卡姆的研究范围不仅涉及西亚、北非各国，而且扩大到南亚和中亚。随着20世纪七、八十年代民族音乐学研究的深入发展，越来越多的音乐学家从迷恋木卡姆转向从事木卡姆研究，全球范围的“木卡姆热”正越演越烈。在中国，部分学者于20世纪80年代提出“创建木卡姆学”的口号，其目的是让国外的音乐学家们对我国新疆的维吾尔木卡姆有更多的了解，同时将各国家、各地区、各民族的木卡姆进行多侧面、多层次、全方位的比较研究，从而进一步阐明木卡姆这一全球性音乐文化现象的本质。本文亦出于此目的，从木卡姆、木卡姆其和国内外对木卡姆的搜集、出版情况简介，木卡姆学研究现状和木卡姆学学科建设三个方面，对木卡姆研究做一次综合性论述。 第一章介绍了目前国内外学者对木卡姆音乐现象的不同诠释；作为木卡姆的创作者、传播者——木卡姆其的职能及地位；木卡姆学的产生与发展，从宏观上对木卡姆学进行了概述。第二章分为十一节，分别是木卡姆的发生学研究、木卡姆的史学研究、木卡姆的传播学研究、木卡姆的音乐形态学研究、木卡姆唱词的研究、木卡姆唱词内容和审美观念的研究、木卡姆的社会学研究、木卡姆的比较研究、木卡姆的版本学研究、木卡姆在不同国家、地区、民族人民生活中地位的研究、木卡姆的跨学科研究。这一章力图从每一个方面对木卡姆学研究成果做一次总结。最后一章对木卡姆学的学科建设提出建议。 总之，建立“木卡姆学”对于世界各有关国家、地区、民族尤其是我国有关维吾尔各人文学科的研究具有重要意义；对我国进一步实施改革开放，加强与世界各国人民的友谊，促进文化交流等方面都将产生积极的推动效应；更重要的是对于中国乃至世界的乐舞艺术史的深入研究将起到不可替代的补充、修订作用。因此，作为一名音乐学者，本人愿为民族传统文化的保护与传承做一份自己应做的事，出一份应出的力。同时也希望通过本文对前人研究成果的总结，能够为后人的研究提供便利。由于主客观条件限制，错咎之处在所难免，，希望诸方专家赐正。
[Abstract]:Muqam, as a global phenomenon of music and culture, has attracted the attention of many music and social scientific circles in the world. The scope of the Muqam is not only in the countries of Western Asia and North Africa, but also to South and Central Asia. With the further development of the research of the national musicology in the 1970s and 1980s, more and more musicologists have turned to Muqam, and the more the "Muqam heat" of the world is. In China, some scholars put forward the slogan of "The creation of Muqam" in the 1980s, the purpose of which is to let the foreign musicians know more about the Uighur Muqam in Xinjiang, and at the same time, multi-side and multi-level, multi-level, multi-level, All-round comparative study to further clarify the essence of the phenomenon of the global music culture of Muqam. The purpose of this paper is to make a comprehensive discussion on the study of the Muqam from the aspects of the collection and publication of the Kinkam, the Kinkam and the home and abroad on the collection and publication of the Muqam, the current situation of the study of the Muqam and the subject construction of the Muqam. In the first chapter, the author introduces the different interpretations of the phenomenon of the Muskam music at home and abroad, and the function and position of the author and the propagator _ Muqam as the author of the Muqam. The second chapter is an overview of Camology. The second chapter is divided into eleven sections, which are the research of the generation of Muqam, the study of the history of Muqam, the study of the communication of Muqam, the study of the musical morphology of Muqam, the study of the singing of the Kinkam, the study of the content and the aesthetic concept of the Muqam, and the wood. A Comparative Study of the Kinkam, the Comparative Study of the Kinkam, the Study of Muqam and the Study of the Status of the Muqam in the Life of Different Countries, Regions and the People's People, and the Wood The cross-disciplinary study of the Kinkam. This chapter tries to make a difference to the Muqam from every aspect. A summary of the results. The last chapter is for Muqam. In a word, the establishment of the "Muqam" is of great significance to the research of all the relevant countries, regions and peoples of the world, especially the relevant human subjects of the Republic of China, and to the further implementation of our country The reform and opening-up, the strengthening of the friendship with the peoples of the world, the promotion of cultural exchange, etc. will have a positive driving effect; more importantly, it is an in-depth study of the history of the music and dance in China and the world Therefore, as a music scholar, I would like to protect and inherit the traditional culture of the nation To do what you should do, a force that is to be done. At the same time, it is also hoped that the study will be made in this paper. The summary of the fruit can facilitate the research of the later generations. Due to the limitation of the main objective conditions,
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J609.2
本文编号：2504230
[Abstract]:Muqam, as a global phenomenon of music and culture, has attracted the attention of many music and social scientific circles in the world. The scope of the Muqam is not only in the countries of Western Asia and North Africa, but also to South and Central Asia. With the further development of the research of the national musicology in the 1970s and 1980s, more and more musicologists have turned to Muqam, and the more the "Muqam heat" of the world is. In China, some scholars put forward the slogan of "The creation of Muqam" in the 1980s, the purpose of which is to let the foreign musicians know more about the Uighur Muqam in Xinjiang, and at the same time, multi-side and multi-level, multi-level, multi-level, All-round comparative study to further clarify the essence of the phenomenon of the global music culture of Muqam. The purpose of this paper is to make a comprehensive discussion on the study of the Muqam from the aspects of the collection and publication of the Kinkam, the Kinkam and the home and abroad on the collection and publication of the Muqam, the current situation of the study of the Muqam and the subject construction of the Muqam. In the first chapter, the author introduces the different interpretations of the phenomenon of the Muskam music at home and abroad, and the function and position of the author and the propagator _ Muqam as the author of the Muqam. The second chapter is an overview of Camology. The second chapter is divided into eleven sections, which are the research of the generation of Muqam, the study of the history of Muqam, the study of the communication of Muqam, the study of the musical morphology of Muqam, the study of the singing of the Kinkam, the study of the content and the aesthetic concept of the Muqam, and the wood. A Comparative Study of the Kinkam, the Comparative Study of the Kinkam, the Study of Muqam and the Study of the Status of the Muqam in the Life of Different Countries, Regions and the People's People, and the Wood The cross-disciplinary study of the Kinkam. This chapter tries to make a difference to the Muqam from every aspect. A summary of the results. The last chapter is for Muqam. In a word, the establishment of the "Muqam" is of great significance to the research of all the relevant countries, regions and peoples of the world, especially the relevant human subjects of the Republic of China, and to the further implementation of our country The reform and opening-up, the strengthening of the friendship with the peoples of the world, the promotion of cultural exchange, etc. will have a positive driving effect; more importantly, it is an in-depth study of the history of the music and dance in China and the world Therefore, as a music scholar, I would like to protect and inherit the traditional culture of the nation To do what you should do, a force that is to be done. At the same time, it is also hoped that the study will be made in this paper. The summary of the fruit can facilitate the research of the later generations. Due to the limitation of the main objective conditions,
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J609.2
【引证文献】
相关期刊论文 前1条
1 雷嘉彦;;回顾近二十年对新疆少数民族音乐的研究[J];南京艺术学院学报(音乐与表演版);2011年03期
相关硕士学位论文 前1条
1 梁秋丽;维吾尔《十二木卡姆》“达斯坦”与歌剧《艾里甫与赛乃姆》唱段与之对比研究[D];新疆师范大学;2010年
本文编号：2504230
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