希曼诺夫斯基十二首钢琴练习曲研究
发布时间：2019-06-22 13:21
【摘要】： 继肖邦之后，波兰又诞生了一位令世人瞩目的音乐家，他的名字叫卡罗尔·希曼诺夫斯基(1882——1937)。希曼诺夫斯基的出现打破了长期以来波兰音乐界落后、封闭的局面，为波兰音乐的发展注入了新鲜的血液。他对波兰音乐所做出的贡献丝毫不逊于肖邦，但是由于处在特定的历史环境下，希曼诺夫斯基的作品并没有引起足够的重视，更没有得到广泛的传播。本文将要研究的作品是希曼诺夫斯基34岁时创作的钢琴《十二首练习曲》 ，代表了其成熟的音乐风格。钢琴“练习曲”本来是以技术训练为目的的体裁，从肖邦时代发展成了“音乐会练习曲”，即将辉煌的演奏技术与高品位的艺术性结合为一体，更具美学价值。希曼诺夫斯基继承了先辈遗留下来的传统，他的练习曲集短小精湛的形式、复杂高超的演奏技术、全新的音乐语汇、丰富的情感表现于一身，具有很高的练习与欣赏价值。 本论文主体分为两大部分：一、希曼诺夫斯基的音乐创作道路 二、希曼诺夫斯基钢琴十二首练习曲研究。第一部分包括两个方面，一方面叙述了希曼诺夫斯基的三个音乐创作阶段：早期创作生涯、创作生涯的第一次转折、创作生涯的第二次转折。三个时期分别代表了希曼诺夫斯基音乐创作中的三种音乐风格倾向——后浪漫主义、印象主义、民族主义。另一方面论述了影响其音乐创作的诸多因素，包括历史环境因素、文学诗歌因素、性格因素以及某些对其创作(尤其是练习曲)产生影响的音乐家——肖邦、斯克里亚宾、德彪西、斯特拉文斯基等。第二部分对希曼诺夫斯基的钢琴《十二首练习曲》进行了详细全面地分析。其中对《十二首练习曲》的创作背景、总体特征作了简要地介绍，并从曲式、织体、调式、调性、和声、旋律、节奏、演奏和美学分析九个方面对本套练习曲进行了较为细致地分析，力求全面把握希氏的创作特征与音乐风格。另外，，为了充分展现这部作品深层次的音乐内涵、揭示它的美学价值，本文针对每一首练习曲的音乐内容、美学特征作了较深入细致的描述，力图透过这部作品能够窥探到希曼诺夫斯基的心灵世界，感受在他的灵魂深处隐藏的丰富情感：痛苦、愉悦、多情、愤怒、热情……
[Abstract]:After Chopin, Poland gave birth to a remarkable musician named Carol Simanovsky (1882 / 1937). The emergence of Simanovsky broke the backward and closed situation of Polish music for a long time, and injected fresh blood into the development of Polish music. His contribution to Polish music is no less than Chopin, but because of the specific historical environment, Simanovsky's works have not attracted enough attention, let alone been widely disseminated. The work to be studied in this paper is the piano "twelve etudes" created by Simanovsky at the age of 34, which represents his mature music style. Piano etude, originally for the purpose of technical training, developed from Chopin era to concert etude, that is, the combination of brilliant playing technology and high-grade artistry, which has more aesthetic value. Simanovsky inherits the tradition left behind by his ancestors. His practice collection is short and exquisite in form, complex and superb playing technology, new musical vocabulary, rich emotion in one body, and has high practice and appreciation value. The main body of this paper is divided into two parts: first, Simanovsky's music creation road 2, Simanovsky piano twelve etudes. The first part includes two aspects, on the one hand, it describes the three stages of Simanovsky's music creation: the early creative career, the first turning point of the creative career, and the second turning point of the creative career. The three periods represent three kinds of music style tendencies in Simanovsky's music creation-post-romanticism, impressionism and nationalism. On the other hand, it discusses many factors that affect his music creation, including historical environment factors, literary poetry factors, personality factors and some musicians who have influence on his creation (especially etude), such as Chopin, Scriyabin, Debussy, Stravinsky and so on. In the second part, the twelve etudes of Simanovsky's piano are analyzed in detail and comprehensively. Among them, the creative background and overall characteristics of the twelve etudes are briefly introduced, and the etude is analyzed in detail from nine aspects: music form, texture, tune, tonality, harmony, melody, rhythm, performance and aesthetic analysis, in order to grasp his creative characteristics and music style in an all-round way. In addition, in order to fully show the deep musical connotation of this work and reveal its aesthetic value, this paper makes a more in-depth and detailed description of the music content and aesthetic characteristics of each etude, trying to peek into Simanovsky's spiritual world through this work, and feel the rich emotions hidden in the depths of his soul: pain, pleasure, affectionate, anger and enthusiasm.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J657
本文编号：2504619
[Abstract]:After Chopin, Poland gave birth to a remarkable musician named Carol Simanovsky (1882 / 1937). The emergence of Simanovsky broke the backward and closed situation of Polish music for a long time, and injected fresh blood into the development of Polish music. His contribution to Polish music is no less than Chopin, but because of the specific historical environment, Simanovsky's works have not attracted enough attention, let alone been widely disseminated. The work to be studied in this paper is the piano "twelve etudes" created by Simanovsky at the age of 34, which represents his mature music style. Piano etude, originally for the purpose of technical training, developed from Chopin era to concert etude, that is, the combination of brilliant playing technology and high-grade artistry, which has more aesthetic value. Simanovsky inherits the tradition left behind by his ancestors. His practice collection is short and exquisite in form, complex and superb playing technology, new musical vocabulary, rich emotion in one body, and has high practice and appreciation value. The main body of this paper is divided into two parts: first, Simanovsky's music creation road 2, Simanovsky piano twelve etudes. The first part includes two aspects, on the one hand, it describes the three stages of Simanovsky's music creation: the early creative career, the first turning point of the creative career, and the second turning point of the creative career. The three periods represent three kinds of music style tendencies in Simanovsky's music creation-post-romanticism, impressionism and nationalism. On the other hand, it discusses many factors that affect his music creation, including historical environment factors, literary poetry factors, personality factors and some musicians who have influence on his creation (especially etude), such as Chopin, Scriyabin, Debussy, Stravinsky and so on. In the second part, the twelve etudes of Simanovsky's piano are analyzed in detail and comprehensively. Among them, the creative background and overall characteristics of the twelve etudes are briefly introduced, and the etude is analyzed in detail from nine aspects: music form, texture, tune, tonality, harmony, melody, rhythm, performance and aesthetic analysis, in order to grasp his creative characteristics and music style in an all-round way. In addition, in order to fully show the deep musical connotation of this work and reveal its aesthetic value, this paper makes a more in-depth and detailed description of the music content and aesthetic characteristics of each etude, trying to peek into Simanovsky's spiritual world through this work, and feel the rich emotions hidden in the depths of his soul: pain, pleasure, affectionate, anger and enthusiasm.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J657
【引证文献】
相关硕士学位论文 前1条
1 颜婷婷;希曼诺夫斯基《第三钢琴奏鸣曲》节奏结构研究[D];西南大学;2011年
本文编号：2504619
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