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普罗科菲耶夫《长笛奏鸣曲》结构与演奏分析

发布时间:2018-01-03 11:10

  本文关键词:普罗科菲耶夫《长笛奏鸣曲》结构与演奏分析 出处:《中央音乐学院》2010年硕士论文 论文类型:学位论文


  更多相关文章: 普罗科菲耶夫 长笛奏鸣曲 演奏


【摘要】: 本文主要从普罗科菲耶夫的创作历程开始研究,概述了这位20世纪杰出音乐大师的成长之路及其创作分期,并概括出他的《D大调长笛奏鸣曲》的创作背景、过程及其整体的风格。在第二章中,我把这首乐曲4个乐章的音乐形象分别进行了具体分析,例如在典型奏鸣曲式的第一乐章中,一开始就用四度的音调描绘出富于幻想性的抒情音调,主部主题出现在D大调中,给人以光辉明亮的色彩感。展开部中强烈的跳跃性节奏把第一乐章的高潮部分表现得更加紧凑更加辉煌。在活泼欢快的第四乐章中,充满了舞曲的风格,时而怪异,时而又具有无限的活力。第三章从演奏的角度来分析研究这首乐曲,这也是本文的创新点。本文重点研究了每个乐章中最突出的一些演奏技巧与风格。如第一乐章中分别研究了演奏时节奏的准确性、气息的调整控制、情绪色彩的多样性等等;第二乐章中速度的把握及与钢琴的配合。第三乐章音色的控制和调式色彩的一些变化;第四乐章中速度与情绪在两个主题交替进行中的强烈对比等等。在这一章的最后,我还通过研究当今世界最著名的两位长笛演奏家:詹姆斯·高尔威和艾曼纽·帕胡德的表演,对这首乐曲的不同演奏版本进行了简单的对比分析。
[Abstract]:This paper begins with the study of Prokofyev's creative history, summarizes the growth of the outstanding music master in 20th century and his creative stages, and summarizes the background of his flute sonata in D major. In the second chapter, I make a detailed analysis of the musical images of the four movements of this piece, for example, in the first movement of the typical sonatas. From the beginning, a four-degree tone was used to depict an illusive lyric tone, with the main theme appearing in D major. The intense leaping rhythm in the unfolding part makes the climax of the first movement more compact and brilliant. In the lively and cheerful 4th movement, it is full of dance style. Sometimes strange, sometimes with unlimited vitality. The third chapter from the perspective of the performance of the analysis of the music. This is also the innovation of this paper. This paper focuses on the most prominent performance techniques and styles in each movement. For example, the first movement studies the accuracy of the rhythm and the control of the breath respectively in the first movement. Diversity of emotional colors and so on; The second movement holds the speed and the cooperation with the piano. The third movement controls the timbre and some changes of the mode color; The sharp contrast between speed and emotion in the 4th movement between the two themes, etc., at the end of this chapter. And by studying the performances of two of the world's most famous flute players: James Galway and Emmanuel Pahoud, I made a simple comparison of the different versions of this piece.
【学位授予单位】:中央音乐学院
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J624.1

【参考文献】

相关期刊论文 前5条

1 俞海南;普罗科菲耶夫音乐语言的继承、革新及他的创作风格[J];音乐研究;1985年02期

2 李壮壮;;普罗科菲耶夫的音乐创作风格[J];南阳师范学院学报;2007年04期

3 赵l,

本文编号:1373623


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