黄安伦三首五声性钢琴作品的和声形态与调性结构研究

发布时间：2018-01-11 10:00

本文关键词：黄安伦三首五声性钢琴作品的和声形态与调性结构研究　出处：《西南大学》2009年硕士论文　论文类型：学位论文

【摘要】： 在以往的几十年间,对于中国五声性多声音乐作品的和声形态研究总是自觉或不自觉地以西方大小调和声体系作为参照。不可否认,五声性音乐在诸多层面与大小调体系音乐存在着包容、渗透的现象,但作为一种具有鲜明特征的音乐风格,它的背后必然有其自身的逻辑和技法作为支撑,并通过相应的具体形态表现出来。从音阶材料的选取到和弦结构的变化,再到和弦序进所构建的丰富和声形态;从传统五声性调性的确立到转换,再到具有现代气息的调性游移和多调性结构。五声性音乐在技术层面上始终以适当的方式体现其特有的风格与内涵。本文选取二十世纪中国作曲家黄安伦创作的三首五声性风格钢琴作品作为研究主线,力求进入音乐的本体元素与技术层面,以此来达到对五声性音乐风格的技术性认知。论文分为三个部分,第一部分以音阶材料和和弦结构为切入点,对多声结构的材料与形态作相应的分析;第二部分从五声性风格的调性结构进行研究;第三部分将在前两部分本体研究的基础上延伸进入对五声性风格泛化问题的认知和思考,将联系部分中外作曲家的五声性风格作品进行比较分析,试图消除我们意识中五声性风格的单质性和地域局限,认识其多样性和渗透性。
[Abstract]:In the past decades, the research on harmonic form Chinese five acoustic sound of music always consciously or unconsciously to Western size harmony system as a reference. It is undeniable that the five acoustic music in many aspects with the major minor system music exists tolerance, penetration phenomenon, but as a kind of distinctive the characteristics of the music style, behind it must have its own logic and techniques as the support, and displays through the corresponding specific form. From the scale of material selection to change the chord structure, and then to the chord sequence of rich harmonies form; from the traditional five tone tonality to establish conversion to with a modern tonality wandering and multi tonal structure. Five sound of music at the technical level is always in a proper way reflects its unique style and meaning. This paper selects twentieth Century China composer Huang An Lun Gen The three five tone piano works, as the main line of research, strive to enter the noumenal and technological level of music so as to achieve the technical cognition of the five tone music style.
This paper is divided into three parts, the first part of the chord scale material and structure as the starting point, the analysis of material and form sound structure; the second part carries on a research from the five tone tonality structure style; the third part will extend into the cognition and thinking of five tone style based on generalization problem study on the main body of the first two parts, the five part will contact the Chinese composer sound style works for comparative analysis, elemental and geographical limitations trying to eliminate our consciousness in five tone style, understand its diversity and permeability.

【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J624.1

【引证文献】