普罗科菲耶夫后期三首钢琴奏鸣曲研究

发布时间：2018-01-14 03:34

本文关键词：普罗科菲耶夫后期三首钢琴奏鸣曲研究　出处：《西南大学》2009年硕士论文　论文类型：学位论文

【摘要】： 谢尔盖·谢尔盖耶维奇·普罗科菲耶夫(Seregy Sergeyevich Prokofiev,1891—1953)前苏联钢琴家与指挥家,是20世纪享誉世界的近现代杰出作曲家,他的创作遍及音乐艺术的各种体裁形式,一生为人类贡献了一百三十多部音乐精品。作为一名自成体系的革新者,他的创作成就并不亚于同时代的其他人物。尤其在20世纪的钢琴音乐领域,贯穿他艺术人生三个阶段的钢琴奏鸣曲起到举足轻重的作用,无论是在构思的宏伟、内容的深刻还是技巧的精湛、手法的新颖等方面都堪称钢琴艺术中的精品。通过研究普罗科菲耶夫的钢琴奏鸣曲了解他不同于他人的创作观念、作曲技法和美学追求是具有相当典型的意义。本文即是以普罗科菲耶夫后期的第六、第七和第八首钢琴奏鸣曲(被世人统称为“战争奏鸣曲”)为研究对象,以音乐本体为切入口,以作曲技术理论分析为核心,以传统技法表现现代风格的独特性为视角,对作品进行较为全面细致的分析研究。文章共分为五个部分:第一章导论;第二章旋律分析;第三章和声研究;第四章调式、调性研究;第五章曲式结构研究。笔者试图通过对以上音乐本体个构成要素的分析与研究,梳理出作品各构成要素的特点及特色,并以此为基础透视普罗科菲耶夫在三部作品中所体现出的继承与革新的辨证统一的创作特征。
[Abstract]:Sergei Sergeyevich Prokofiev, Seregy Sergeyevich Prokofievan 1891-195) former Soviet pianist and conductor. In 20th century, he was one of the most famous modern and modern composers in the world. His works spread all over the genre of music art, and he contributed more than 130 music works to mankind in his life. He was a innovator of his own system. His creation achievement is not inferior to other characters of his time, especially in the field of piano music in 20th century, piano sonata, which runs through three stages of his art life, plays an important role. No matter in the grand idea, the content is profound or the skill is exquisite. Through the study of Prokofyev's piano sonatas, we can see that he is different from others in his creative ideas. Composition techniques and aesthetic pursuit are of typical significance. This article takes the 6th, 7th and 8th piano sonatas of Prokofyev's later period (commonly referred to as "War Sonata") as the research object, and takes the music ontology as the entrance. With the theoretical analysis of composition technology as the core and the uniqueness of the modern style of traditional techniques as the angle of view, this paper makes a more comprehensive and detailed analysis and study of the works. The article is divided into five parts: the first chapter is an introduction; Chapter two: melody analysis; Chapter three: research on Harmony; Chapter 4th: the study of tonality; The author tries to carve out the characteristics and characteristics of the composition elements of the works through the analysis and research of the above music Noumenon elements. On the basis of this, we can see through the dialectical unity of inheritance and innovation embodied in Prokofyev's three works.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J624.1

【引证文献】