中国传统戏曲的唱腔与伴奏

发布时间：2018-02-04 06:19

本文关键词： 戏曲艺术戏曲音乐唱腔伴奏文场主奏艺术风格　出处：《艺术百家》2013年05期 　论文类型：期刊论文

【摘要】：中国传统戏曲唱腔源于徒歌,后通过在民间艺人及普通老百姓中口耳相传,传统戏曲出现始自徒歌的"帮打唱"、"吹打唱"、"弹打唱"、"拉打唱"等多种伴奏形式。特别是自宋代出现的胡琴,在清代产生"琴腔",使中国戏曲别开生面。比起竹笛、唢呐、月琴,作为戏曲唱腔的主奏乐器,胡琴能够"工尺咿唔如话"地随着各地语态之变而变,是故千姿百态、异彩纷呈,展现出"拉打唱"戏种在今天华夏戏曲中独领风骚的辉煌。
[Abstract]:The Chinese traditional opera singing originated from the apprenticeship song, and then through the word of mouth among the folk artists and the ordinary people, the traditional opera appeared since the beginning of the "help beat singing", "beat and sing", "playing and singing". Especially Hu Qin, which appeared since the Song Dynasty, produced a "piano tune" in the Qing Dynasty, which made Chinese operas special. Compared with bamboo flute, suona and lunar piano, Hu Qin was used as the main instrument of traditional Chinese opera. Hu Qin is able to change with the change of voice in different places, which shows the brilliance of "playing and singing" in today's Chinese opera.
【作者单位】：聊城大学音乐学院;
【分类号】：J617
【正文快照】： 历史悠久的传统戏曲唱腔与伴奏,也独具极强的综合性。其声乐,从“候人兮猗!”到《诗经·国风》到相和歌到唐变文到诸宫调到北曲到南戏到高腔到弹腔到琴腔;其器乐,从先秦击乐到汉晋吹管乐———隋唐弹拨乐———宋元明清拉弦乐。上述种种略于明末清初综合化生出花部戏曲的“高

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