穆索尔斯基艺术歌曲套曲《死之歌舞》研究

发布时间：2018-03-08 03:17

本文选题：穆索尔斯基　切入点：艺术歌曲　出处：《山东师范大学》2009年硕士论文　论文类型：学位论文

【摘要】： 穆索尔斯基是19世纪俄罗斯伟大的作曲家。作为民族乐派“强力集团”中最激进的一员,他致力于创作具有俄罗斯民族特色的音乐,是俄国近代现实主义音乐的奠基人,他的创作具有揭露社会黑暗,反映人民疾苦的批判现实主义的倾向,在艺术风格上具有浓郁的俄罗斯民族特点和独特个性,在音乐语言和艺术形式上具有大胆的创新。穆索尔斯基的艺术歌曲创作在其整个创作中占有重要的分量,具有很高的艺术价值。笔者通过对其艺术歌曲的分析与研究,以期揭示其艺术歌曲的创作特色,并就其创作对俄罗斯后期艺术歌曲的创作影响进行论述。全文共分为四个部分: 第一章,对19世纪的俄罗斯及其艺术歌曲的发展状况进行总体论述。首先就19世纪俄罗斯的社会文化背景进行了宏观概述;而后对民族乐派的创作情况进行论述;最后就俄罗斯艺术歌曲的形成进行论述;通过以上论述以期对穆索尔斯基创作的时代背景在总体上有所把握。第二章,着重介绍作曲家的生平及其创作,对穆索尔斯基其人其作作宏观上的了解,并就其创作风格作简单的介绍,同时对《死之歌舞》的创作背景做分析。第三章,对穆索尔斯基艺术歌曲套曲《死之歌舞》(《摇篮曲》、《小夜曲》、《特莱帕克舞》、《统帅》)的创作技法做分析,分别从旋律发展手法上、和声上以及曲式上做深入地分析。第四章,对穆索尔斯基艺术歌曲《死之歌舞》创作的美学思想与创作原则进行论述,并通过其艺术歌曲的创作论述其创作原则。结语中,笔者对穆索尔斯基艺术歌曲《死之歌舞》的创作特征进行总结,并就作曲家的歌曲创作对20世纪西方作曲家产生的影响做进一步论述。论文以穆索尔斯基艺术歌曲套曲《死之歌舞》创作分析为主线,并结合音乐学、社会学、历史学、美学的分析方法进行研究,对俄罗斯艺术歌曲创作、穆索尔斯基及其艺术歌曲创作在宏观上加以阐述,并重点对其代表性艺术歌曲作深入分析,在此基础上得出穆索尔斯基艺术歌曲的创作特征,以期抛砖引玉,引发更多对穆索尔斯基音乐创作的研究。
[Abstract]:In 19th century, Musolski was a great composer in Russia. As one of the most radical members of the "powerful Group" of the national music school, he devoted himself to the creation of music with Russian national characteristics and was the founder of Russian modern realism. His works have the tendency of exposing the darkness of the society and reflecting the suffering of the people. He has a strong Russian national characteristic and unique personality in artistic style and bold innovation in music language and art form. Musolsky's art song creation occupies the important weight in the whole creation, has the very high artistic value. The author through the analysis and the research to its art song, in order to reveal its artistic song creation characteristic, It also discusses the influence of his creation on the creation of Russian art songs in the later period. The full text is divided into four parts:. The first chapter discusses the development of Russia and its art songs in 19th century. Firstly, it summarizes the social and cultural background of Russia in 19th century, and then discusses the creation of national music school. Finally, the formation of Russian art songs is discussed. The second chapter mainly introduces the life and creation of the composer, makes a macroscopic understanding of Mussolski's works, and makes a brief introduction to his writing style. At the same time, he makes an analysis of the background of the creation of "Song and Dance of death". In the third chapter, the author analyzes the writing techniques of Musolski's art song ensemble "the Song and Dance of death" ("Lullaby", "Serenade", "Trepak Dance", "Commander-in-Chief"), and makes an in-depth analysis of the melodic development technique, harmony and form. Chapter 4th discusses the aesthetic thoughts and principles of Musolski's creation of "the Song and Dance of death", and discusses its creative principles through the creation of his artistic songs. In the conclusion, the author summarizes the creative characteristics of Musolski's art song "the Song and Dance of death", and further discusses the influence of composer's song creation on western composers in 20th century. The thesis takes Musolsky's art song ensemble "the Song and Dance of death" as the main line, and combines the analysis methods of musicology, sociology, history and aesthetics, and makes a research on the Russian art song creation, which is based on the analysis method of Musicology, sociology, history and aesthetics. Musolski and his art songs are elaborated on the macro level, and their representative art songs are analyzed in depth. On this basis, the characteristics of Musolski's artistic songs are obtained in order to draw a good message. To initiate more research on Mussolski's music creation.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J605

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