钢琴曲《梅花三弄》之意韵解读

发布时间：2018-03-09 13:51

本文选题：梅花三弄　切入点：意韵　出处：《东北师范大学》2010年硕士论文　论文类型：学位论文

【摘要】： 本文从王建中的钢琴改编曲《梅花三弄》入手,从传统文化视野角度对作品进行解读,透过《梅花三弄》表现出来的审美特征,挖掘其西方钢琴艺术与中国传统音乐的相互渗透、撞击、共融等更深层次的意义和价值。正是因为中西审美意识的差异,其在融合过程中,才会吸引更多的人给予关注,对于钢琴艺术的民族化问题提出赞赏或质疑,这种高度重视和认真对待的态度,以及经过科学论证所求得的不同观点,拓宽了钢琴艺术民族化的发展空间,也为我国钢琴音乐开辟了新的舞台,中国民族音乐也必定要通过这个舞台上走向世界。我们研究经典改编钢琴曲《梅花三弄》的现实意义也在于此。本文力图通过钢琴曲《梅花三弄》的分析、研究,总结出改编曲技法特点以及审美特征等方面的一些思考。
[Abstract]:This article starts with Wang Jianzhong's piano adaptation "Mei Hua San Nong", and interprets the works from the perspective of traditional culture, through the aesthetic characteristics of "Mei Hua San Nong". It is precisely because of the difference in aesthetic consciousness between China and the West that it will attract more people to pay attention to the deeper significance and value of its mutual penetration, impact, and integration with traditional Chinese music, just because of the difference in aesthetic consciousness between China and the West. This highly valued and serious attitude towards the nationalization of piano art, as well as the different viewpoints sought through scientific argumentation, have widened the space for the development of nationalization of piano art. It has also opened up a new stage for piano music in China. Chinese folk music must also go to the world through this stage. We also study the practical significance of the classical adapted piano song "Mei Hua San Nong". This paper tries to study through the analysis of the piano song "Mei Hua San Nong". Summarizes the adaptation of the characteristics of the music and aesthetic characteristics of some aspects of thinking.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J624.1

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