声乐训练中呼吸与歌唱的对接

发布时间：2018-03-19 01:04

本文选题：呼吸　切入点：练声　出处：《南京艺术学院》2010年硕士论文　论文类型：学位论文

【摘要】： 呼吸是歌唱的根基,是良好歌唱的起步,只有打好呼吸的基础,才能有效的辅助发声,完善地表现歌曲。从审美角度看,声音艺术表现力的特点是：在气息支持下使声音具有致远性、穿透性和持久性,并能在这个过程中做出各种力度变化和色彩对比。实践证明各种发声技巧的训练也都是围绕这一审美特点来实施的。歌唱呼吸看不见、摸不着,要靠感觉去领悟,这给呼吸的训练带来一定的难度。在平常的训练中,教师常常会用一些比喻,如“搬钢琴”、“吹蜡烛”“闻花”“惊讶”等等引导我们先找到歌唱所需要的正确的呼吸状态,即胸腹腔同时打开,气沉丹田。然后慢慢带入发声练习,在发声练习中建立了稳固的呼吸状态后,这种感觉就自然而然的带入歌唱,歌唱中的呼吸技术问题随之解决。本文主要围绕着从呼吸技能技巧的训练到歌唱中呼吸运用的过渡来展开论述,共分为三个部分：一.歌唱呼吸的三种类型与生理、心理机制：介绍了生理性呼吸的三种方式,呼吸与发声的物理机制与如何寻找正确的歌唱状态,指出正确的呼吸方法。二.呼吸与歌唱的对接：介绍了呼吸的训练方法及从无声呼吸练习到有声呼吸练习再到建立在呼吸支持下的发声练习与歌唱,具体阐述了呼吸在这三者之间的过渡。三.歌唱中的呼吸与运用：论述了如何根据歌唱的实际要求调整呼吸,及歌唱中的具体换气问题。第二、三部分为本文阐述的重点。
[Abstract]:Breathing is the foundation of singing, singing is a good start, based only a breath, in order to effectively improve the performance of auxiliary sounding songs. From the aesthetic perspective, the sound characteristics of artistic expression is: in the breath can support voice with penetrating and Zhiyuan, persistence, and can make all kinds of the intensity change and color contrast in the process. Practice has proved that a variety of vocal skills training are also on the aesthetic features to implement.
Breathing is invisible, untouchable, rely on feeling to understand, it brings some difficulties to the respiratory training. In the usual training, teachers often use some metaphors, such as "Piano", "candle" and "smell the flowers" surprised "to guide us to find to sing correct breathing, the thoracic and abdominal open at the same time, gas sink Dantian. Then slowly into the vocal exercises in vocal exercises established stable breathing, this feeling naturally into singing, breathing in singing along with solving technical problems.
This article mainly focuses on the transition from the training of breathing skills to the application of breathing in singing, which is divided into three parts:
First, three types of singing breathing and their physiological and psychological mechanisms: the three ways of physiological respiration, the physical mechanism of breathing and vocalization, and how to find the right singing state, and point out the correct breathing method.
Two. Breathing and singing docking: introduced breathing training methods and from silent breathing exercises to vocal breathing exercises, and then to breathing exercises under the support of the voice practice and singing, elaborated on the transition between breathing in the three.
Three. Breathing and application in singing: how to adjust breathing according to the actual requirements of singing and the specific ventilation in singing.
The second, third part is the key point of this article.

【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J616

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