甘肃榆中七月官神仪式音乐研究

发布时间：2018-03-20 02:16

本文选题：七月官神　切入点：民间信仰　出处：《兰州大学》2009年硕士论文　论文类型：学位论文

【摘要】： 宗教仪式的概念从仪式学跨入音乐学领域,掀起了一股以香港中文大学和中国艺术研究院为主要研究团体的仪式音乐研究热潮,不仅形成了系统的理论架构,如信仰、仪式行为、仪式中的音声二元理论结构模式和近——远、内——外、定——活三个基本两极变量的思维方法等,而且将这些理论具体运用于全国各地的仪式音乐普查工作中。中国的音乐文化博大精深,各地区以及各地区内部的仪式音乐不尽相同,因此在对西北地区的仪式音乐挖掘上,除了少数民族宗教仪式音乐之外,各研究者还应看到并注重汉族民间信仰仪式中的音乐文化。“七月官神”就是这样一种集道、佛、萨满三教一体并融汉、满、蒙、藏四个民族风俗为一身的西北汉族所特有的民俗文化,是以杂姓村落为祭祀群社会类型;以道教神、地方主神——白马天子和八蜡田祖为祭祀对象;以宗族代表(宗爷、社头)为仪式组织者;以外雇师公子班为主要祭祀者和音乐表演人;以道教科仪音乐和师公子跳神乐舞为主要音乐形式的社会性音乐祭祀礼仪。非物质文化遗产研究虽说是一门新生学科,看似和仪式音乐毫不相干,但是它们却相互包含,相互补充,共同作用于我国的传统音乐文化的研究和保护。随着“七月官神”被列入甘肃省级非物质文化遗产的行列,笔者就将其仪式音乐的研究和非物质文化遗产研究相互结合,全面考察“七月官神”的深层内涵。
[Abstract]:The concept of religious ceremony has stepped into the field of musicology from ritualistic science. It has set off a wave of ritual music research with the Chinese University of Hong Kong and the Chinese Academy of Art as the main research groups. It has not only formed a systematic theoretical framework, such as belief. Ritual behavior, the structure model of phonological and acoustic dualistic theory in ritual and the thinking methods of near-distant, inner-outer and fixed -live basic polar variables, etc., and these theories are applied in the ritual music survey work all over the country. China's music culture is extensive and profound, and ritual music varies from region to region. Therefore, in the excavation of ritual music in the Northwest China, in addition to the religious ritual music of ethnic minorities, All researchers should also see and pay attention to the music culture in the ritual of Han folk belief. "the official God of July" is such a collection of Taoism, Buddha, shamanism and fusion of Han, Manchu, Meng, The unique folk culture of the Han nationality in Northwest China, which is composed of four Tibetan nationalities and customs, takes the village of miscellaneous names as the social type of sacrifice, takes the Taoist gods, the local main deities-the Baema Tianzi and the Baxi Tianzu as the objects of sacrifice; and takes the representatives of the clans (Zongyeh) as the sacrificial objects. Social music sacrificial etiquette with Taoist music and master son dance as the main music form. Although the study of intangible cultural heritage is a new subject, seemingly unrelated to ritual music, they are mutually inclusive and complementary. The research and protection of traditional music culture in China. With "official God" listed in the rank of intangible cultural heritage of Gansu Province in July, the author combined the research of ritual music with the study of intangible cultural heritage. A comprehensive investigation of the deep connotation of the official God in July.
【学位授予单位】：兰州大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J609.2

【引证文献】