长调到短调的衍变——以蒙古贞地区民歌音乐形态衍变为例

发布时间：2018-03-21 15:38

  本文选题：调到　切入点：短调　出处：《音乐研究》2013年02期 　论文类型：期刊论文

【摘要】：正一、长调、短调释义按体裁分类,蒙古族民歌可以分为乌日图音道(又称乌日汀道、乌日图道等)和包古尼道两大类。乌日图音道由于其节拍自由、曲调缓慢、悠长等特点,汉语称之为"长调";包古尼道是与乌日图音道相对应的称谓,其基本形态是节拍规整、节奏鲜明、结构短小,汉语称之为"短调"。(一)长调长调,是蒙古族草原游牧音乐文化的主
[Abstract]:First, the interpretation of long tone and short tone is classified according to genre. Mongolian folk songs can be divided into two categories: Urito Road (also known as Uritin Road, Urito Road, etc.) and Baquni Road. Due to its free rhythm, slow tunes, long tunes, etc. In Chinese, it is called "long tune", and Baoguni Dao is a term corresponding to Urito tone, whose basic form is rhythm, rhythm, short structure, and Chinese call it "short tone". (1) long tone, long tone, long tone, long tone, long tone, long tone, long tone, long tone, long tone, long tone, long tone, long tone, long tone, long tone, Is the master of nomadic music culture of Mongolian grassland
【作者单位】： 衡水学院;
【分类号】：J607
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本文编号：1644488