管弦乐写作中单音持续音的艺术魅力

发布时间：2018-03-25 00:13

本文选题：管弦乐单音持续音　切入点：《西班牙狂想曲》第三乐章《哈巴涅拉》　出处：《中央音乐学院》2010年硕士论文

【摘要】： 本文对目前国内关于管弦乐持续音技法的研究情况,以及“管弦乐单音持续音”的概念、技法要点、作用及基本类型分别进行了阐述。并通过对一些经典文献简短片断的分析,来观察该技法在实际作品中的用法。笔者主要选取了法国作曲家拉威尔(Maurice RAVEL1875—1937)的管弦乐作品《西班牙狂想曲》(Rapsodie espagnole)第三乐章《哈巴涅拉》(Habanera,)对其进行了较全面的分析,包括作曲家如何选择管弦乐单音持续音的音高、设计节奏以及对音色的处理等一系列相关问题,如何在整个乐章中如此精准巧妙地“使用”这种持续音技术,而我们所能感受到的几乎全部都是对这部作品艺术魅力的享受,技法和艺术构思在这里已经融为一体。
[Abstract]:In this paper, the current domestic research on the technique of continuous sound of orchestral music, the concept, key points, functions and basic types of "single tone sustained sound of orchestral music" are expounded respectively, and some brief sections of classical literature are analyzed. The author chooses French composer Maurice Ravel 1875-1937 (Orchestra) "Spanish Rhapsodie Rhapnole3" (the third movement < Habanerahe > Habanerahe) to make a more comprehensive analysis of this technique. Including how composers choose the pitch of the mono, how to design the rhythm and how to handle the timbre, and how to "use" this persistent sound technique so precisely and skillfully throughout the movement. Almost all we can feel is the enjoyment of the art charm of this work, techniques and artistic ideas here have been integrated.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J614

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