台湾新音乐（1945-1960）研究

发布时间：2018-03-26 09:16

本文选题：台湾　切入点：新音乐　出处：《中央音乐学院》2009年博士论文

【摘要】： 很早以来,台湾就是中国神圣领土的一部分。其独特的地理位置、复杂的历史文化变迁,孕育了丰富多彩的台湾音乐。1895年中日甲午海战以后,海峡两岸长期隔离,我们对台湾音乐的了解就很少了。因此,关注和研究台湾音乐就成了我们音乐工作者的重要课题。再从海峡两岸目前关于研究台湾音乐的成果来看,虽有论著提及1945至1960年代的台湾音乐,但还未见对1945至1960年的台湾新音乐进行全面论述的专著。笔者以为,从整个台湾音乐历史发展进程看,1945至1960年是一段特殊的历史时期。一方面,1945年台湾恢复中国主权后,新音乐文化有了一个新的起点；另一方面,1949年国民政府迁往台湾,此期的音乐艺术有着独特的、区域性的时代特色和艺术形式。如果不了解这一时期的音乐文化,那么对台湾音乐史的认识就是不全面、不系统的。为此,·笔者以“1945至1960年的台湾新音乐”为研究对象,以大量的文献资料及音乐人物的口述史为基础,在尊重客观历史的前提下,从当时的社会背景出发,以重要的人、事、物为研究主线,运用宏观与微观相结合的研究方法,秉持论从史出的治史原则,对此期新音乐的面貌进行客观描述,探讨其新音乐的特点,并明确这一时段的新音乐在台湾音乐史上的特殊地位。全文内容有四：一是音乐教育事业的建设与发展(第一章)。从中小学音乐课程标准、中小学音乐教材、台湾省立师范大学音乐系、政工干部学校音乐系几方面入手,对这一时期台湾的普通音乐教育、专业音乐教育进行考察和研究；二是文艺机构、社会音乐活动及音乐传媒的发展(第二章)。先是以台湾文化协进会、台湾省交响乐团、中华文艺奖金委员会、“中国广播公司”国乐团、“国立音乐研究所”为代表,对此期的文艺机构进行考察。其次,从音乐会、全省音乐比赛、军歌推广活动以及对外音乐文化交流活动诸方面,对当时的社会音乐活动进行考述。最后以《新选歌谣》、“中国广播公司”音乐栏目、远东音乐社为主,对此期音乐传媒的发展进行考述；三是音乐家与专业音乐创作(第三章)。从大陆赴台音乐家、台湾本土音乐家两方面,对此期的作曲家进行重点介绍。同时从音乐体裁切入,对这一时期台湾的音乐创作情况予以回顾,并对主要作品进行音乐学分析；四是流行歌曲创作(第四章)。分台语、国语两部分,探讨当时流行歌曲的题材内容与歌词特点,并对主要作品的音乐特色进行分析。笔者经过深入、系统研究,认为1945至1960年的台湾,除了丰富的社会音乐生活外,还有不少艺术性较高的音乐作品,对台湾民众的精神生活,提供了宝贵的食粮。更重要的是,它在整个台湾音乐发展史上起到了承上启下的“桥梁”作用,不但摒弃了日本殖民统治时期带有严重殖民色彩的殖民音乐文化,恢复了中华音乐文化传统,而且对日后台湾音乐的发展奠定了坚实基础。
[Abstract]:Taiwan has long been a part of China's sacred territory. Its unique geographical location and complex historical and cultural changes have given birth to rich and colorful Taiwan music. After the Sino-Japanese War of 1895, the two sides of the Taiwan Strait were separated for a long time. We know very little about Taiwan's music. Therefore, paying attention to and studying Taiwan's music has become an important topic for our music workers. From the current results of research on Taiwan music on both sides of the Taiwan Strait, Although Taiwan music from 1945 to 1960s has been mentioned in some works, there has not been a monograph on Taiwan's new music from 1945 to 1960. From the perspective of the development of Taiwan's music history, 1945 to 1960 is a special historical period. On the one hand, after the restoration of China's sovereignty in 1945, the new music culture had a new starting point; on the other hand, the National Government moved to Taiwan in 1949. This period of music art has unique, regional characteristics and artistic forms. If we do not understand the music culture of this period, then we will not have a comprehensive understanding of Taiwan's music history. For this reason, the author takes "New Taiwan Music from 1945 to 1960" as the object of study, based on a large amount of literature and the oral history of musical figures, on the premise of respecting the objective history and proceeding from the social background at that time. Taking the important people, things and things as the main line of study, using the research method of combining macro and micro, and adhering to the principle of managing history from history, this paper objectively describes the appearance of the new music in this period, and probes into the characteristics of its new music. And the special position of the new music in the history of Taiwan music. There are four parts in the full text: first, the construction and development of music education (Chapter 1). Starting with the music curriculum standards of primary and secondary schools, the music teaching materials of primary and secondary schools, the music department of Taiwan normal University and the music department of political cadres' school, In this period, Taiwan's general music education and professional music education were investigated and studied. Second, the development of literary and artistic institutions, social music activities and music media (Chapter II). First, the Taiwan Cultural Council and the Taiwan Province Symphony Orchestra. The Chinese Literature and Art Award Committee, the "China Broadcasting Corporation" Chinese Orchestra, and the "National Music Research Institute" are the representatives of this period's literary and artistic institutions. Secondly, from concerts to music competitions throughout the province, The promotion of military songs and the exchange of music and culture with foreign countries are studied in the light of the social music activities of that time. Finally, the music column of "China Broadcasting Corporation" and the far East Music Society are the main ones in the "New Choice of Ballads", "China Broadcasting Corporation", and the far East Music Society. The development of this period of music media is studied. Thirdly, musicians and professional music creation (Chapter 3). From the mainland to Taiwan musicians, Taiwan's native musicians, the composer of this issue is mainly introduced. At the same time, from the perspective of music genre, Reviewing the music creation situation in Taiwan during this period, and making musicological analysis on the main works; fourth, the creation of popular songs (chapter four, divided into two parts: Taiwanese and Mandarin), to discuss the content of the subject matter and the characteristics of the lyrics of the popular songs at that time. And the music characteristics of the main works are analyzed. After a thorough and systematic study, the author believes that Taiwan from 1945 to 1960, in addition to its rich social music life, also had many music works of higher artistic quality, which provided valuable food for the spiritual life of the people of Taiwan. More importantly, It has played a bridging role in the history of Taiwan's music development. It has not only abandoned the colonial music culture of the period of Japanese colonial rule, but also restored the tradition of Chinese music culture. It also laid a solid foundation for the development of Taiwanese music in the future.
【学位授予单位】：中央音乐学院
【学位级别】：博士
【学位授予年份】：2009
【分类号】：J605

【相似文献】