汉魏以来北方鼓吹乐横吹乐及其南传考论

发布时间：2018-04-07 18:08

本文选题：黄门鼓吹　切入点：鼓吹乐　出处：《黄钟(中国.武汉音乐学院学报)》2009年01期

【摘要】：鼓吹乐和横吹乐本是汉代军乐。其概念在不同历史时期均有变化,二者之间有着密不可分的联系,其区别不是绝对的。东汉时鼓吹乐和横吹乐均隶属于黄门鼓吹署,后清商曲和杂舞曲从黄门鼓吹署中独立出来,鼓吹成为短箫铙歌和横吹曲的通名。再后来横吹曲又从鼓吹曲中分出,狭义的鼓吹曲便成了短箫铙歌的专称。北方的鼓吹乐和横吹乐,分别在汉代和东晋南渡后就已开始传到南方。虽然鼓吹乐早在汉魏时期就已经用于娱乐,但南传之后直至刘宋之前,主要使用于朝廷礼仪活动中,在娱乐场合非常少见。从宋代起,横吹乐也开始用于朝廷正式礼仪,并与鼓吹乐一起成为日常娱乐的重要节目。随着鼓角横吹曲在粱初南传并被采入梁代乐府,鼓吹乐和横吹乐开始对文人拟乐府创作产生了极为重要的影响。
[Abstract]:Preaching music and blowing music is the Han Dynasty military music.Its concept has changed in different historical periods, there is a close relationship between the two, the difference is not absolute.In the Eastern Han Dynasty, both the advocating music and the cross blowing music belonged to the Huangmen Advocate Department, and the later Qing Dynasty Shang Song and the Miscellaneous Dance Music were independent from the Huangmen Advocacy Department, and they became the general names of the Xiao Nao song and the cross blow song.Later, the trumpeting music was separated from the trumpeting song, and the narrow-sense trumpeting song became the exclusive name of the Xiao-nao song.Northern preaching and cross-blowing music began to spread to the south after the Han Dynasty and the Eastern Jin Dynasty.Although preaching music had been used for entertainment as early as Han and Wei dynasties, it was mainly used in court etiquette activities until Liu Song Dynasty, but it was very rare in entertainment occasions.From the Song Dynasty, the music of cross-blowing also began to be used in the formal etiquette of the court and became an important part of the daily entertainment together with the preaching music.With the spreading of the drum horn to the south in the early stage of Liang and being taken into the Yuefu of Liang Dynasty, the music of advocating and blowing began to have an extremely important influence on the creation of the literati's imitation Yuefu.
【作者单位】：青岛大学文学院;
【基金】：笔者主持的国家社科基金课题《魏晋南北朝歌诗研究》的阶段性成果,项目编号为06BZW029
【分类号】：J609.2

【共引文献】