新时期中国高师手风琴教学考略
发布时间:2018-04-09 16:14
本文选题:手风琴 切入点:教学 出处:《南京艺术学院》2009年硕士论文
【摘要】: 1979年以来,改革开放、思想解放,中国文艺进入了新的发展时期。我国的高师手风琴教学在这一新局面下得到了很大的发展,有了自己系统的教学体系、演奏与教育水平得到提高、增强了与国内同行和国际的交流。高师手风琴教学为我国手风琴事业作出了很大的贡献。到了20世纪90年代后期,中国文化开始向多元化发展,手风琴艺术在这种背景中逐渐失去了它的辉煌。进入21世纪,中国手风琴界人士力求将这一乐器重新焕发生命力,在各个方面都做出了大量努力。因此,高师手风琴教学为跟上时代发展的步伐,适应新的教学环境,努力进行着改革探讨,希望有新的发展空间,为中国手风琴事业继续贡献自己的力量。
[Abstract]:Since 1979, the reform and opening up, ideological emancipation, Chinese literature and art has entered a new period of development.In this new situation, the accordion teaching in teachers' colleges in our country has been greatly developed. With its own systematic teaching system, the level of playing and education has been improved, and the communication with domestic and international counterparts has been strengthened.The teaching of accordion in normal colleges has made great contribution to the accordion cause of our country.In the late 1990s, Chinese culture began to develop pluralistic, and accordion art gradually lost its brilliance in this background.In the 21st century, the Chinese accordion circles strive to rejuvenate this instrument and make great efforts in all aspects.Therefore, in order to keep pace with the development of the times and adapt to the new teaching environment, the teaching of accordion in normal colleges and universities is making great efforts to carry out reform and discussion, hoping to have a new space for development and to continue to contribute its own strength to the cause of Chinese accordion.
【学位授予单位】:南京艺术学院
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:J624.3
【引证文献】
相关博士学位论文 前1条
1 单建鑫;中俄手风琴文化比较研究[D];中国艺术研究院;2012年
相关硕士学位论文 前2条
1 李公羽;关于我国手风琴普及教育及教学的若干问题研究[D];哈尔滨师范大学;2011年
2 莫yN;中国手风琴教学的历史回顾与现状研究[D];南京艺术学院;2010年
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