从贝尔曼《每日练习》谈单簧管的基础练习

发布时间：2018-04-24 07:38

本文选题：基础练习 + 《每日练习》　；参考：《上海音乐学院》2009年硕士论文

【摘要】： 本文是对单簧管技术训练中的基础练习的研究和探讨。基础练习是一种日常的基本练习,它概括和归纳了当时期各类音乐作品的各种技术层面,意在使演奏者得以提前认知和经验将要演奏乐曲的技术类别。全文共分三章。第一章为基础练习,由综合能力至技术训练逐次递进引出本文的重点——基础练习。本章分两节:第一节为综合能力,阐述综合能力的训练目的和综合能力的训练途径;第二节为技术训练,阐述技术训练的目的和技术训练的途径。第二章为贝尔曼《每日练习》,贝尔曼《每日练习》是建立在以调性音乐为主的作品基础上,通过对该教材内容的分类论述和分析,体现了对演奏非现代作品和现代作品的实用性和重要性。本章分三节:第一节贝尔曼《每日练习》的内容,对音阶、琶音、模进等主要音型的各种方式进行梳理;第二节为贝尔曼《每日练习》的实用性,将贝尔曼《每日练习》与不同时期音乐作品的实际谱例结合进行分析:第三节为贝尔曼《每日练习》的重要性,主要从四个技术方面阐述其意义和价值。第三章为补充基础练习,笔者提出的补充基础练习是建立在以无调性音乐为主的作品基础上,通过对现代作品的研究和分析归纳出来的基础练习,体现了对演奏现代作品和非现代作品的实用性和重要性。本章分三节:第一节为补充基础练习的内容,从音高、节奏、力度、速度等构成音乐基本元素的四个方面论述这种方法;第二节为补充基础练习的实用性,对现代作品为主的有关单簧管的音乐作品进行实例分析并论证其实用性;第三节为补充基础练习的重要性。贝尔曼《每日练习》的内容是以有调性的思维构建的基础练习方法,补充基础练习的内容则是以无调性的思维构建的基础练习方法,这是两种不同角度、不同思路的练习方法。结合两种基础练习,可以拓宽演奏者对演奏非现代作品和现代作品的提前认知度。随着时代的变迁,将会产生各种不同类别的新的音乐作品,不断的提炼新的綦础练习方法,将会更大程度的提高和丰富演奏者的技术并日趋完善。
[Abstract]:In this paper, the basic training of clarinet technique is studied and discussed. Basic exercise is a daily basic exercise, which summarizes and summarizes the various technical aspects of various musical works during the period, with a view to enabling players to recognize and experience the technical categories of the music to be played ahead of time. The full text is divided into three chapters. The first chapter is the basic exercise, from comprehensive ability to technical training step by step leads to the focus of this paper-basic exercise. This chapter is divided into two sections: the first section is the comprehensive ability, the purpose of the comprehensive ability and the training way of the comprehensive ability, the second section is the technical training, the purpose of the technical training and the way of the technical training. The second chapter is Berman's Daily exercise. Berman's Daily exercise is based on the works of tonality music, through the classification and analysis of the content of the textbook. It reflects the practicability and importance of performing non-modern works and modern works. This chapter is divided into three sections: the first section of Belman's Daily exercise, the content of the scales, arpeggios, patterns and other major phonetic patterns to sort out, the second section is about the practicability of Berman's Daily exercise. Combining Berman's Daily exercise with practical examples of musical works in different periods, the third section is the importance of Berman's Daily exercise, which mainly expounds its significance and value from four technical aspects. The third chapter is the supplementary basic exercise, which is based on the works of atonal music, and is based on the research and analysis of modern works. It reflects the practicability and importance of playing modern and non-modern works. This chapter is divided into three sections: the first section is to supplement the content of basic exercises, from the pitch, rhythm, strength, speed and other four aspects of the basic elements of music to discuss this method, the second section is to supplement the practicability of basic exercises, This paper analyzes the clarinet music works mainly in modern works and proves its practicability. The third section is the importance of supplementary basic exercises. The content of Berman's Daily exercise is a basic exercise method constructed by tonal thinking, while the content of supplementary basic exercise is a basic exercise method constructed by anatonic thinking. The combination of two basic exercises can broaden the player's early recognition of non-modern works and modern works. With the change of times, there will be a variety of different types of new music works, constantly refining new methods of basic practice, will greatly improve and enrich the player's technology and become more and more perfect.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J621

【共引文献】