《破阵乐》变迁探微

发布时间：2018-04-27 06:17

本文选题：《破阵乐》 + 变迁　；参考：《云南艺术学院》2009年硕士论文

【摘要】： 唐朝音乐以歌舞为其主体,在当时的宫廷歌舞音乐中,以《破阵乐》尤为著名。它虽仅仅是一首乐曲,但其流传的时间之长、空间之广、变衍版本之多,为唐人陈述讨论之频繁,均非他曲所能比拟的。本文在前人研究的基础上,首先力求作为音乐史和舞蹈史中的一个历史现象,围绕《破阵乐》之衍更轨迹,对其试作梳理,将其划分为初起、勃兴鼎盛及余波蜕变期三个阶段来论述它的内容。其次纵观《破阵乐》的变迁发展,从教化性、礼仪性、娱乐性三个方面论证,尽可能准确地把握与其内容相适应的性质功能。最后探索社会、历史、个人在音乐生成中的作用,并对其在历史与审美的音乐文化价值上的意义作一些挖掘,以便促进对唐代音乐研究的深入。
[Abstract]:Song and dance were the main body of Tang Dynasty music, especially broken array music in court song and dance music at that time. Although it is only a piece of music, but its spread of time, space, the variety of versions of many, for the Tang Dynasty statements and discussions are more frequent than other songs can be compared. On the basis of the previous studies, this paper first strives to be a historical phenomenon in the history of music and dance. Its contents are discussed in three stages of prosperous and afterwave metamorphosis. Secondly, the author makes a general survey of the changes and development of broken Music, demonstrates from three aspects of enlightenment, etiquette and entertainment, and tries to grasp as accurately as possible the nature and functions that are suitable to its contents. Finally, it explores the role of society, history and individual in the formation of music, and makes some excavations on its significance in the historical and aesthetic value of music culture, in order to promote the study of music in the Tang Dynasty.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J609.2

【引证文献】