普罗科菲耶夫《D大调第二号长笛与钢琴奏鸣曲》的演奏实践探析

发布时间：2018-04-27 16:40

本文选题：二十世纪音乐 + 普罗科菲耶夫　；参考：《上海音乐学院》2009年硕士论文

【摘要】： 本文由引言、正文的三个章节和结语组成,后附参考书目。一、简述二十世纪初音乐的语言和风格,同时引出普罗科菲耶夫的生平及创作特征。二、《D大调第二号长笛与钢琴奏鸣曲》的创作背景以及作品分析三、笔者在演奏实践上的基础上通过对小提琴版本的对比以及世界一流长笛大师演奏音响的对比,提出更为合适的演奏方法。本文通过对二十世纪初音乐发展特点的阐述以及普罗科菲耶夫创作风格的研究,从而归纳出现代音乐的基本特性与“新古典乐派”之间的联系与区别。全面解释《D大调第二号长笛与钢琴奏鸣曲》的结构、作曲家的乐思以及音乐陈述的方法,对演奏者在理性思考上提供依据。之后又通过对版本的比较,使演奏由理性上升到了感性,在结合作曲家想要表达的音乐形象和现代音乐的创作风格等因素,总结出恰如其分的演奏方法,这样又经过了感性到理性的过程。
[Abstract]:This article consists of introduction, three chapters of the text and conclusion, with a bibliography attached. Firstly, the language and style of music at the beginning of the twentieth century are briefly introduced, and the life and creative features of Prokofyev are also introduced. Second, the background and work analysis of "flute and piano sonata No. 2 in D major" Thirdly, on the basis of playing practice, the author puts forward a more suitable method by contrasting the violin version and the sound playing by the world's first-class flute masters. Through the elaboration of the characteristics of music development in the early 20th century and the study of Prokofyev's creative style, this paper sums up the relationship and difference between the basic characteristics of modern music and the "Neo-Classical Music School". A comprehensive explanation of the structure of "flute and piano sonata No. 2 in D major", the composers' musical thoughts and the methods of musical presentation provide the basis for the players to think rationally. Then through the comparison of the version, the performance rose from rationality to sensibility. In combination with the music image the composer wanted to express and the creative style of modern music, he summed up the appropriate playing methods. In this way, it goes through the process of sensibility to rationality.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J624.1;J621

【参考文献】