日本作曲家三木稔现代筝组曲《筝谭诗集》音乐研究

发布时间：2018-04-29 18:12

本文选题：新筝 + 三木稔　；参考：《河北师范大学》2009年硕士论文

【摘要】： 三木稔,日本著名作曲家,1930年出生于日本德岛市,毕业于东京艺术大学作曲系。他的音乐创作形式多样,体裁广泛,涉足到声乐、合唱、歌剧、民族器乐、室内乐、交响乐等领域。他创作了大量的邦乐作品,被誉为“日本邦乐第一人”。1969年,他开始致力于日本新筝(二十一弦筝)的研制,并为其创作许多独奏、合奏、协奏作品。现代筝组曲《筝谭诗集》就是三木稔历经21年(1969年-1990年)的心血而创作的一部筝独奏曲集。本文以三木稔的筝组曲《筝谭诗集》为研究对象,从音乐本体的研究出发,以音乐的曲式结构、调式音阶、筝的定弦法以及主题动机构成等方面的研究为明线;以时代背景、标题含义、日本文化及审美意识为暗线;以理论研究法和比较研究法双向进行,结合笔者多年的古筝演奏经验,以及亲赴日本,对作曲家本人的访谈、学习,亲身感受日本音乐文化和民俗传统,而进行综合研究。本文对筝组曲《筝谭诗集》在结构、调式以及旋律创作手法等方面进行了深入、细致地分析研究;对作品的创作背景、创作理念以及日本筝乐的发展、日本筝的定弦法和新筝的改良进行较为系统地论述;同时,对三木稔先生的创作思想、作品的艺术特征以及支撑该作品的日本文化中的“幽玄”美意识进行了论证;最终,引申到对我国新筝音乐的创作而产生的影响进行了概括总结,并得出结论。七声、多声弦制古筝的改革与发展目前在中国仍处于起步阶段,笔者希望通过对本课题的研究,对中国筝乐的发展能产生一定的启示,进而能在筝界乃至音乐界对中国新筝的改革和创作引发讨论与思考,起到抛砖引玉的作用。
[Abstract]:Mitsuki, a famous Japanese composer, was born in Tokushima, Japan in 1930, graduated from Tokyo Art University. His musical forms and genres are varied, and he has been involved in vocal music, chorus, opera, national instrumental music, chamber music, symphony and so on. In 1969, he began to devote himself to the development of the new Japanese zither (21 zither), for which he created many solo, ensemble, and coital works. The Modern Zheng Suite, Zheng Tan Poems, is a collection of zither solos, which was composed by Sanumurin after 21 years of painstaking work (1969-1990). Based on the study of Musical Noumenon, the musical structure, the scale of the tune, the method of determining the string of the zither and the composition of the theme motivation, etc., as the research object, the thesis takes the composition of the Zheng Suite as the research object, and takes the background of the times as the background. The meaning of the title is that Japanese culture and aesthetic consciousness are taken as the dark lines, the theoretical research method and the comparative research method are used in both directions, combined with the author's many years of experience in playing the zither, as well as personally going to Japan to interview and study the composer himself, Experience Japanese music culture and folk traditions, and conduct a comprehensive study. This paper makes a thorough and detailed analysis and study on the structure, mode and melody creation techniques of Zheng Suite "Zheng Tan Poems", as well as on the creation background, creative idea and the development of Japanese Zheng music. At the same time, it demonstrates the creative thought, the artistic characteristics of the works and the "Youxuan" beauty consciousness in the Japanese culture that supports the works. The author generalizes and summarizes the influence on the creation of new Zheng music in China and draws a conclusion. At present, the reform and development of Qisheng system is still in its infancy in China. The author hopes that through the study of this subject, it will give some enlightenment to the development of Chinese zither music. It can lead to discussion and reflection on the reform and creation of the new Zheng in the Zheng and even music circles.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J605

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