拉赫玛尼诺夫第一钢琴协奏曲创作技法研究

发布时间：2018-04-30 21:41

  本文选题：拉赫玛尼诺夫 + 第一钢琴协奏曲　； 参考：《浙江师范大学》2010年硕士论文

【摘要】： 本论文的分析主要是以拉氏《第一钢琴协奏曲》1917年修改版1为研究对象,在论述的过程中,为了能更好的理解作曲家的创作意图,偶尔会夹杂有拉一初稿版本和1917年修改版的对比,而集中的对比研究则专门安排了一章。 论文以创作技法分析为主线,力求深入而全面的分析在拉一中所体现出来的作曲家独特的作曲语言和天才的构思。绪论和第一章对于选题的初衷和作曲家生平及拉一创作过程进行了概要的介绍；第二章至第四章是论文最为主要的部分,分别从不同切入点对拉一的创作技法进行了分析,涵盖旋律、节奏节拍、调式音阶、曲式分析和声分析等；而第五章则是对拉一的初稿和1917修改版之间的不同之处进行了集中论证,也概要谈论了拉一初稿和格里格《a小调钢琴协奏曲》之间的模仿关系,力求对于拉一的“前世今生”做到最为透彻的分析。
[Abstract]:The analysis of this thesis mainly takes the first Piano Concerto 1917 as the research object. In the process of discussion, in order to better understand the composer's creative intention, Occasionally, there is a comparison between the first draft and the 1917 revision, and a chapter is devoted to intensive comparative studies. Based on the analysis of creative techniques, this paper tries to make a thorough and comprehensive analysis of the composer's unique composition language and genius's conception. The introduction and the first chapter give a brief introduction to the original intention of the topic, the life of the composer and the creative process of La Yi. The second to fourth chapters are the most important parts of the thesis. It covers melodies, rhythms, tonal scales, musical analysis, and sound analysis. Chapter 5 focuses on the differences between the first draft of La Yi and the 1917 revision. It also briefly discusses the imitation relationship between the first draft of La and Grieg's Piano Concerto in a minor in order to make the most thorough analysis of Raj's past life.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J614

【引证文献】

中国硕士学位论文全文数据库 前1条

1 张黎;拉赫玛尼诺夫《音画练习曲》OP33和声研究[D];曲阜师范大学;2012年

，

本文编号：1826382