斯卡拉蒂奏鸣曲在手风琴演奏中的风格及技巧探究

发布时间：2018-05-02 06:17

本文选题：斯卡拉蒂 + 奏鸣曲　；参考：《内蒙古师范大学》2009年硕士论文

【摘要】： 多米尼科·斯卡拉蒂是跨越巴洛克与前古典时期最具独创个性的音乐家之一,他与巴赫、亨德尔一起把巴洛克时期的键盘音乐推向了光辉灿烂的顶峰,他在巴洛克时期通过其键盘音乐的创作给予了我们丰厚的遗产和无尽的启示。斯卡拉蒂一生中作有555首键盘奏鸣曲,其体裁范围涉及之广,可谓是欧洲巴洛克音乐体裁的大宝库。研究演奏斯卡拉蒂的键盘奏鸣曲,对于我们把握巴洛克的音乐风格有着极其重要的意义。近年来,在国际琴坛的手风琴重大赛事中,斯卡拉蒂奏鸣曲均被列为规定曲目。与此同时在许多手风琴演奏家的独奏音乐会中,甚至在手风琴的业余考级教材中,我们都可以看到斯卡拉蒂奏鸣曲的存在。斯卡拉蒂的奏鸣曲愈来愈受到重视,己成为手风琴演奏者的必修课程。但当前研究斯卡拉蒂奏鸣曲及其演奏法的论文以钢琴居多,从手风琴的角度进行分析研究的却寥寥无几。手风琴在我国是一件大众化的乐器,特别是随着自由低音手风琴的引入与逐渐普及,斯卡拉蒂奏鸣曲的独特魅力正在被越来越多的手风琴爱好者发现并且接受。本文力图从斯卡拉蒂奏鸣曲的音乐风格入手,对手风琴诠释斯卡拉蒂奏鸣曲进行更深层次的研究及探索。文章正文分为三个部分:一、斯卡拉蒂简介及奏鸣曲的音乐风格。从斯卡拉蒂生平及创作背景、奏鸣曲创作手法的特点、奏鸣曲的风格以及演奏特点四个方面进行介绍,通过对斯卡拉蒂奏鸣曲较深层次的剖析,从而达到对其作品全面系统的理解。二、在对斯卡拉蒂奏鸣曲的音乐特点细致分析的基础上,着力从手风琴演奏的风格及技巧方面做深入的探讨,再结合手风琴的自身特性,从风箱、装饰音、变音器等方面进行具体的阐述。三、由于手风琴演奏的斯卡拉蒂奏鸣曲基本都来自于钢琴曲谱,所以就不可避免的涉及到手风琴与钢琴在演奏奏鸣曲时的技巧比较。笔者从触键的角度,对手风琴与钢琴的演奏差异进行了细致的区分,进而详细论述了手风琴在演奏斯卡拉蒂奏鸣曲时的触键问题。希望通过自己对斯卡拉蒂键盘音乐的细致研究,引起大家对斯卡拉蒂奏鸣曲手风琴化的关注及思考。
[Abstract]:Dominique Scarlatti, one of the most original musicians across Baroque and pre-classical times, worked with Bach and Handel to bring Baroque keyboard music to the peak. His creation of keyboard music in Baroque gave us a rich legacy and endless enlightenment. Scarlatti wrote 555 keyboard sonatas in his life, which has a wide range of genres and is a treasure house of the European Baroque genre. It is very important for us to study and play Scarlatti's keyboard sonata. In recent years, Scarlatti Sonata has been listed as a prescribed track in the major accordion events in the international piano world. At the same time, we can see the existence of Scarlatti Sonata in many accordionists' solo concerts and even in the accordion's amateur examination materials. Scarlatti's sonata has become a compulsory course for accordion players. However, most of the papers on Scarlatti Sonata and its playing methods are piano, but few are from accordion. Accordion is a popular instrument in our country, especially with the introduction and popularization of free bass accordion, the unique charm of Scarlatti sonata is being discovered and accepted by more and more accordion lovers. This paper tries to begin with the musical style of Scarlatti Sonata, and further research and explore the interpretation of Scarlatti Sonata by accordion. The text is divided into three parts: first, the introduction of Scarlatti and the musical style of sonata. This paper introduces Scarlatti's life and background, the characteristics of sonata creation, the style of sonata and the characteristics of sonata, and analyzes the deeper level of Scarlatti's sonata. In order to achieve a comprehensive and systematic understanding of his works. Second, on the basis of careful analysis of the musical characteristics of Scarlatti's sonatas, we will make an in-depth discussion on the style and skills of accordion performance, and then combine the accordion's own characteristics from the bellows and decorative sounds. The phonograph and so on aspect carries on the concrete elaboration. Third, because the accordion plays the Scarlatti sonata basically comes from the piano music, therefore inevitably involves the accordion and the piano in the performance sonata skill comparison. From the point of view of touch key, the author distinguishes the difference between accordion and piano in detail, and then discusses in detail how to touch the key of accordion in playing Scarlatti sonata. I hope that through my own careful study of Scarlatti keyboard music, we will pay more attention to Scarlatti Sonata accordion.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J624.1

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