从四部类书乐部看唐人音乐思想的特别样态

发布时间：2018-05-13 11:00

本文选题：类书乐部 + 编纂思想　；参考：《西安音乐学院》2009年硕士论文

【摘要】： 类书是在中国传统文化背景下产生的具有资料汇编性质的文献。它将文献或文献中的资料,按内容分门别类的组织起来,因摘录内容的分类汇类而得名。现存较完整且较知名的有虞世南(558-638年)编著的《北堂书钞》、欧阳询(557-641年)等奉高祖之命撰集的《艺文类聚》、徐坚(659-729年)等奉玄宗之命撰集的《初学记》,以及白居易(772-846年)撰集的《白氏六贴》被后世并称作唐代四大类书。唐代四大类书乐部因其“以类相从”的分类体系,“百科全书性”的内容特点成为研究唐人音乐美学思想的重要文本材料。本文除了沿用前人文献学、目录学的研究方法以外,受葛兆光先生的引导与启发更多的引入了思想史的研究视角,旨在通过对唐代类书乐部分类体系、编纂内容以及编纂思想的分析与研究,观察唐人所能够想象到和把握到的音乐知识与音乐思想世界的秩序、规范和边界,其所折射出的儒家守成主义音乐美学思想与唐代开放、多元的音乐审美实践之间形成了很有意味的悖论,提示我们,唐代思想史的特别面相,一般原理上,即是儒家入世观念影响下的公共生活界面与释、道出世思想影响下的个人生活界面共存、相交。“达则兼济天下,穷则独善其身”的白居易作为《白氏六贴·乐部》的编纂者、唐代文人中与音乐关系最深的代表,无疑成为我们解剖唐文人矛盾审美观念的典型标本。目前,学术界关于唐代类书乐部的研究成果并不多,而从思想史的角度对类书乐部全元音乐文化景观进行观察研究的论述更是少见,在此基础上形成对唐代音乐美学思想中“崇雅”与“爱俗”问题的认识应当说还未有所闻,即使通过其他研究方式注意到了这一美学样态的存在,也往往只是作为问题被提出来。本论题借助唐代类书乐部,在唐代思想史的背景下对该问题的分析与解答将会有一定的学术意义。
[Abstract]:Class book is a kind of document with the character of data compilation produced under the background of Chinese traditional culture. It organizes documents or documents according to their contents, and is named for the classification of excerpts. Among the more complete and well-known ones in existence are the "Beitang Book Notes" compiled by Yu Shi-nan (558-638), the collection of artistic works by Gao Zu (557-641), the "gathering of artistic writings" ordered by Gao Zu, the collection of Xuanzong (659 ~ 729 years) by Xu Jianghong), and the book "A preliminary study" written by Xuanzong, Bai Ju, and Bai Ju. Yidong 772-846) compilation of "Bai's six stickers" by later generations and known as the Tang Dynasty four categories of books. Because of its classification system of "according to category" and "encyclopedia", the four categories of books and music in Tang Dynasty have become important textual materials for studying the aesthetic thought of music of Tang people. In addition to using the research methods of previous literature and bibliography, this paper, guided and inspired by Mr. Ge Zhaoguang, introduced more research perspectives of the history of thought, aiming at the classification system of the music department of the Tang Dynasty. The content of compilation and the analysis and study of compilation thought, observe the order, norm and boundary of music knowledge and music thought world that Tang people can imagine and grasp, and reflect the Confucian conservatism music esthetics thought and the opening up of Tang Dynasty. There is an interesting paradox between the diverse aesthetic practice of music, which indicates that the special aspect of the history of thought in Tang Dynasty is, in general, the interface and interpretation of public life under the influence of the Confucian concept of joining the WTO. Under the influence of Tao's birth thought, the personal life interface coexists and intersects. As the editor of "Bai's six Music Department", the representative of the Tang Dynasty literati who has the deepest relationship with music, it is undoubtedly a typical specimen of our dissecting the contradictory aesthetic concept of the Tang literati. At present, there are few academic research achievements on the book music department in Tang Dynasty, and it is rare to observe and study the whole Yuan music cultural landscape of the book music department from the perspective of ideological history. On this basis, it should be said that the understanding of the "worship of elegance" and "love of vulgarity" in the aesthetic thought of music in the Tang Dynasty has not been heard, even though the existence of this aesthetic pattern has been noticed through other research methods. It is also often raised as a problem. With the help of the book and music department of the Tang Dynasty, the analysis and solution of this question will have certain academic significance under the background of the history of thought in the Tang Dynasty.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J609.2

【引证文献】