二胡曲《烛影摇红》的文化价值

发布时间：2018-05-14 21:36

本文选题：烛影摇红 + 陈天华　；参考：《西南民族大学学报(人文社科版)》2009年07期

【摘要】：二胡曲《烛影摇红》因其原始文献资料的匮缺而多有它解,这给人们演奏、鉴赏一代国乐宗师的绝笔之作,及把握、梳理天华先生的思想、精神脉络以便进一步挖掘其文化价值与社会意义带来了一定的困难。本文力图滴水成河,综合概括天华先生音乐活动的时代背景、天华先生的音乐思想、天华先生二胡曲的情感思想基调、烛影摇红的文化思想流变、《烛影摇红》的象征寓意等诸多内容,以便揭示出二胡曲《烛影摇红》轻快中见哀伤、欢愉时现无奈、沉醉里出愤激的,借歌舞之事发兴亡之慨的奋争、警示、鞭策与觉醒之深沉意蕴。努力可关筋结,同仁不吝评说。
[Abstract]:Erhu music < candle shadow and shadow Red > because of the shortage of its original literature information, it has many solutions. This gives people a play, appreciates the masterpiece of the guru of a generation, and holds it, combing Mr. Tian Hua's thought and spiritual vein to further excavate its cultural value and social significance. The time background of Mr. Hua's music activities, the music thought of Mr. Tianhua, the emotional and ideological tone of the erhu music, the cultural thoughts and thoughts of candles and shadows, the symbolic implication of candles and shadows, and the symbolic meaning of the candles and shadows, so as to reveal the shakes of the erhu music, the light of the candle, the sadness in the light, and the indignation of the joy, and the indignation of the song and dance. The struggle for prosperity and death is a reminder of the deep implications of arousing and awakening. Efforts can be made to consolidate the knot and colleagues should not hesitate to comment.

【作者单位】：四川师范大学音乐学院;
【分类号】：J632.2

【共引文献】