巴托克中提琴协奏曲和利盖蒂中提琴无伴奏奏鸣曲对中提琴演奏技术发展的贡献

发布时间：2018-05-17 09:21

本文选题：中提琴 + 演奏技术　；参考：《上海音乐学院》2010年硕士论文

【摘要】： 中提琴由一件原先仅仅是充当室内乐重奏和交响乐队内声部伴奏角色的乐器发展到今天这样一个拥有个性特色、技巧日益完善、艺术表现力空前丰富,可以以独奏身份立足舞台的乐器,无疑是一历史性的飞跃。本论文选择了贝拉·巴托克的中提琴协奏曲和乔治·利盖蒂的中提琴无伴奏奏鸣曲这两部作品作为分析对象,论述它们对中提琴演奏技术的发展所作出的贡献。一件乐器具有很强大的音乐表现力,包括很多的方面,音色的变化、音域的宽泛,以及所演奏作品中的各种音乐要素等等。然而演奏技术的多样性无疑是一个非常重要的条件。本文之所以选择这两首作品作为分析对象,是因为这两部作品对中提琴演奏技术的发展有着突出的意义。其中出现的很多高难度,甚至是创新性的演奏技术是之前或者同时期的作品中所没有的。20世纪是中提琴演奏非常辉煌的一个时期。许多优秀的演奏家和专门写给中提琴的经典作品都是产生于此。在同一时期的作品中,巴托克这首协奏曲对中提琴演奏技术的发展是非常突出的,大量高音和快速音群的演奏,非传统音程构成的双音及和弦给左手带来的“不便”,多调式的民歌主题旋律给音准带来的考验等等技术,都是别的作品所不能及的。而利盖蒂于20世纪末为中提琴写下的这首无伴奏奏鸣曲,更是用微分音,极端音区、机械性节奏运动,双泛音等演奏技法,让中提琴的演奏技术达到一个巅峰。本文由三个章节构成。第一个章节主要概述了在巴托克之前的中提琴演奏技术的整体水平状况,分成16至18世纪,19至20世纪两个阶段来概述；第二和第三章节采用具体分析的手法,并结合谱例,论述这两部作品对中提琴演奏技术进行的革新,是本文的重点。最后在第二和第三章节的基础上,指出这两首作品为发展中提琴演奏的技术做了突出的贡献,也正是由于演奏技法的创新,为提升中提琴的演奏地位、丰富其表现力器奠定了坚实的基础。
[Abstract]:The viola has evolved from an instrument that used to only serve as the accompaniment of chamber recitals and symphonic bands to a unique character, increasingly sophisticated skills, and an unprecedented abundance of artistic expression. The musical instrument which can stand on stage as a soloist is undoubtedly a historic leap. This thesis chooses Beira Bartok's viola concerto and George Ligatti's viola accompaniment sonata as the object of analysis, and discusses their contributions to the development of viola playing technology. A musical instrument has a strong musical expression, including many aspects, changes in timbre, wide range, and various musical elements in the work played. However, the diversity of playing techniques is undoubtedly a very important condition. The reason why this article chooses these two works as the analysis object is because these two works have the outstanding significance to the development of the viola playing technology. Many of the difficult, and even innovative, techniques that have emerged are not available in previous or contemporary works. The 20th century is a very glorious period for viola playing. Many excellent performers and classical works dedicated to the viola are produced here. In the works of the same period, Bartok's concerto was very outstanding for the development of viola playing technology. Multi-tone folk song theme melody to bring the test of sound and other techniques, are beyond the reach of other works. In the end of the 20th century, Ligatti wrote this accompaniment sonata for the viola, which used the techniques of differential sound, extreme sound area, mechanical rhythm movement, double overtone, etc, to make the viola playing technique reach a peak. This paper consists of three chapters. The first chapter mainly outlines the overall level of viola playing techniques before Bartok, divided into two stages from the 16th to the 18th century and the 19th to the 20th century. The second and third chapters use specific analytical techniques and combine with spectral examples. It is the focus of this paper to discuss the innovation of the two works to the viola playing technology. Finally, on the basis of the second and third chapters, it is pointed out that these two works have made outstanding contributions to the development of viola playing technology, and it is precisely because of the innovation of playing techniques that the two works are aimed at enhancing the status of viola playing. Enrich its expressionist to lay a solid foundation.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J622.1

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