20世纪中国合唱创作思维研究

发布时间：2018-05-24 18:37

本文选题：中国合唱音乐 + 合唱创作思维　；参考：《中央音乐学院》2010年博士论文

【摘要】： 中国合唱音乐是20世纪初“西乐东渐”的结果,在百年的实践发展中,经历了西方合唱音乐的“本土化”移植和“民族化”的发展历程。合唱创作思维作为合唱发展的源头,合唱创作的核心,对合唱艺术的繁荣起着至关重要的作用。合唱创作思维的更新与社会变革、经济发展、社会文化心理结构、行为模式、审美价值取向有着密切的联系。本文力图以合唱创作思维为切入点,以音乐史学、音乐美学、民族音乐学、音乐社会学等学科理论为依托,结合合唱作品的本体分析和研究,探索20世纪中国合唱创作思维“民族化”的发展轨迹,为推动中国合唱音乐创作的繁荣和发展尽绵薄之力。本论文“绪论”之后分述三章,第一章厘清了西方合唱创作思维的发展脉络及其传入简况,以及1949年前西方合唱创作思维在中国的植根和“本土化”、“民族化”的历程。第二章主要论述了战斗性和抒情性合唱作品“民族化”的继承与创新,“传统风格合唱作品”“民族化”的继承创新,以及大型声乐合唱套曲的继承创新等三个方面；第三章主要从抒情性、情景交融性合唱作品“民族化”多元拓进,“传统风格合唱作品”“民族化”多元拓进,以及大型声乐合唱套曲多元拓进三个方面论述了新时期整体合唱创作思维“民族化”的多元格局；“结语”部分,首先阐述了20世纪中国合唱创作思维的发展轨迹,即：合唱织体从主调和声织体拓展到主调与复调相结合的多声复调合唱织体；人声运用从简单设置到多样融合；体裁运用从相对单一到多元并举；题材从相对单纯到多样并存；主要审美特征从“崇高”“阳刚”到”向“和谐”“阴柔”拓展；“民族化”探求意识从“本土化”移植到“民族化”深化的发展以及“合唱”的观念转变等。并对中国21世纪最初10年中国合唱艺术呈现出新趋向提出建议和思考,即：建立职业合唱团的建议,和对“原生态”多声部民歌挖掘与利用的思考、由合唱比赛引发的思考、由2009年《“帕伦天奴”第四届作曲比赛——合唱及艺术歌曲》引发的思考、合唱表演新趋向的思考并提出自己的见解。最后在展望21世纪中国合唱创作思维发展的趋向时提出：在全球化的文化背景下,“整体开放性思维”是21世纪中国合唱创作思维发展的趋向。
[Abstract]:Chinese choral music is the result of the gradual development of "Western Chorus" in the early 20th century. It has experienced the development of "localization" and "nationalization" of western choral music in the past hundred years. As the source of chorus development and the core of chorus creation, choral creative thinking plays a vital role in the prosperity of choral art. The renewal of chorus creative thinking is closely related to social change, economic development, social and cultural psychological structure, behavior pattern and aesthetic value orientation. This paper tries hard to take the choral creation thought as the breakthrough point, with the music history, the music esthetics, the ethnomusicology, the music sociology and so on discipline theory as the support, unifies the chorus work Noumenon analysis and the research, In order to promote the prosperity and development of Chinese choral music creation, this paper explores the development track of "nationalization" of Chinese chorus creation in the 20th century. After the introduction, this thesis is divided into three chapters. The first chapter clarifies the development and introduction of western chorus creative thinking, as well as the roots of western chorus creative thinking in China before 1949 and the process of "localization" and "nationalization". The second chapter mainly discusses the inheritance and innovation of "nationalization" of fighting and lyric choral works, the inheritance and innovation of "traditional style chorus" and "nationalization", and the inheritance and innovation of large-scale vocal choral ensemble. The third chapter is mainly from lyric, emotional and scene blending chorus works "nationalization" pluralistic development, "traditional style chorus" nationalization "pluralistic development, This paper discusses the pluralistic pattern of the "nationalization" of the whole chorus creative thinking in the new period, and the "conclusion" part, firstly expounds the development track of the Chinese chorus creative thinking in the 20th century. Namely: the choral texture extends from the main tone and the sound texture to the multi-tone polyphonic choral texture which combines the main tone and the polyphony; the use of human voice is from simple setting to diverse fusion; the genre application is from relative singularity to multiple simultaneous development; the theme from relative simplicity to diversity coexists; The main aesthetic features are expanded from "sublime" masculinity "to" harmony "and" pubic softness ", and the exploration consciousness of" nationalization "is transplanted from" localization "to" nationalization ", and the concept of" chorus "is changed. The author also puts forward some suggestions and thoughts on the new trend of Chinese chorus art in the first 10 years of the 21st century, that is, the suggestion of establishing professional choir, and the reflection on the excavation and utilization of "original ecology" multi-vocal folk songs, which are caused by the chorus competition. From the thinking of the fourth "Palantanu" composition Competition-Chorus and Art songs in 2009, the author puts forward his own opinions on the new trend of chorus performance. Finally, when looking forward to the trend of the development of Chinese chorus creative thinking in the 21st century, it is pointed out that under the cultural background of globalization, "holistic open thinking" is the trend of the development of Chinese chorus creative thinking in the 21st century.
【学位授予单位】：中央音乐学院
【学位级别】：博士
【学位授予年份】：2010
【分类号】：J616.2

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