上世纪六七十年代中国钢琴音乐作品研究

发布时间：2018-05-29 00:13

本文选题：上世纪六七十年代 + 钢琴作品　；参考：《河北大学》2009年硕士论文

【摘要】：文化大革命的“十年浩劫”是中华人民共和国建立以来受到的一场最为严重的民族灾难,在一段时间里,中国的钢琴艺术被无情地限制、排挤和扼杀,但是中国的作曲家们怀着对艺术的追求,仍然创作了许多优秀的钢琴音乐作品。本文通过对上世纪六七十年代的钢琴作品的创作背景、内容表现、旋律、调性、曲式结构、节奏速度、练习技巧等诸多方面分析总结,从而运用到演奏时对音色、装饰音、指触、节拍、气韵、声韵等不同方面的处理,探寻中国上世纪六七十年代的钢琴作品演奏中的独特风格、民族意蕴的表现方式,体现了民族音乐、民族器乐、民间戏剧等不同的民族文化价值。同时在一些练习技巧中也将中国音乐传统与西方钢琴演奏技术有机地结合起来,建立起训练自己民族风格的钢琴作品技术特色、音色特点,传承了中国音乐文化、也反映出中国音乐独特的精神气质。
[Abstract]:The "ten year holocaust" of the Cultural Revolution was the most serious national disaster since the establishment of People's Republic of China. In a period of time, Chinese piano art was ruthlessly restricted, squeezed and killed. But Chinese composers still created many excellent piano music works with the pursuit of art.
This paper analyzes and summarizes the creation background of the piano works in the 60s and 70s of the last century, the content expression, the melody, the tune, the musical structure, the rhythm speed, the practice skills and so on, so as to apply to the different aspects such as the tone color, the decorative sound, the touch, the rhythm, the rhythm, the sound and the sound, and so on in the 60s and 70s of the last century in China. The unique style of the piano performance and the expression of national connotation embodies the different national cultural values of national music, national instrumental music and folk drama. At the same time, in some practice skills, the Chinese music tradition and the western piano playing techniques are organically combined, and the piano works to train their own national style are established. The characteristics of the opera, the characteristics of timbre, and the inheritance of Chinese music culture also reflect the unique spiritual temperament of Chinese music.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J624.1

【参考文献】