维厄当《第五小提琴协奏曲》op.37作品分析

发布时间：2018-06-01 20:35

本文选题：亨利·维厄当 + 炫技创作手法　；参考：《星海音乐学院》2010年硕士论文

【摘要】： 亨利·维厄当(Henri Vieuxtemps,1820-1881)是比利时近代小提琴艺术史上一位重要的演奏家和作曲家,在欧洲小提琴音乐文化发展过程中起到历史性作用。维厄当的音乐构思、表演艺术及创作出前人未有的音乐词汇对现代小提琴演奏技巧的发展有着很大的影响,他所创作的第五小提琴协奏曲也成为小提琴文献中脍炙人口的上乘精品。在我国,对维厄当演奏风格和作品研究还相当匮乏,因此本文拟选取维厄当小提琴协奏曲中最具代表作品之一的第五小提琴协奏曲作为论题,对其进行展开性研究。本论文共分为五部分,先对维厄当的研究现状做评述,再从影响维厄当演奏和创作的背景等因素、音乐本体分析、所使用的小提琴演奏技巧以及艺术价值等五个方面对作品进行研究和论述。第一部分总结之前已有的论著专著介绍,并概说出理论意义与实际意义;考虑到维厄当既是小提琴演奏家、又是作曲家的身份,他自身的演奏与创作关系是不可分割的,因而在第二部分中对作曲家演奏与创作的背景进行分析,梳理出成因及之间的关系,对下一部分中的细部分析作理论依据支撑;第三部分对作品文本作分析,从微观角度对作品整体结构、内部句法组织特征、音乐主题形象等作分析,通过细致的本体分析,阐释作品的细部特征;第四部分从小提琴演奏的角度对作曲家如何使用的炫技创作手法以及凸显小提琴乐器性能的音乐词汇结构特点作分析,并对该部作品反映维厄当的整体创作的思想和风格特征作探讨。最后总结部分是对该作品作客观评价,试图对该部作品在小提琴艺术发展史上的地位作出客观的评价。
[Abstract]:Henri Vieuxtempsn 1820-1881) is an important performer and composer in the modern history of violin art in Belgium and plays a historic role in the development of European violin music culture. Weyerdang's musical conception, performing arts and the creation of music words that had never been known before had a great impact on the development of modern violin playing techniques. His Fifth Violin Concerto has also become the most popular fine violin literature. In our country, the study of Weidan performance style and works is still quite scarce, so this paper chooses Violin Concerto No. 5, one of the most representative works of Violin Concerto, as the topic of this thesis. This thesis is divided into five parts. Firstly, it reviews the current situation of Weidan's research, and then analyzes the music ontology from the factors such as the background of Weidan's performance and creation. The violin playing techniques and the artistic value of the five aspects of the works are studied and discussed. The first part summarizes the introduction of previous monographs, and outlines the theoretical and practical significances. Considering that Weidan is both a violinist and a composer, the relationship between his own performance and creation is inseparable. So in the second part of the composer performance and creation of the background analysis, combing out the causes and the relationship between the next part of the detailed analysis of the theoretical basis for support; the third part of the text of the work analysis, From the microcosmic point of view, the author analyzes the overall structure of the work, the internal syntactic organization characteristics, the musical theme image, and explains the detailed features of the work through the detailed ontology analysis. In the fourth part, from the point of view of violin performance, the author analyzes the creative techniques of the composer and the characteristics of the musical vocabulary structure that highlights the performance of the violin instrument. And discusses the thought and style characteristic of the whole creation of Wheeldang reflected in this work. The last part is the objective evaluation of the work, trying to make an objective evaluation of the position of the work in the history of violin art development.
【学位授予单位】：星海音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J622.1

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