音乐传播“场域”中的当代原创音乐剧探析——以《金沙》为例

发布时间：2018-06-04 07:50

  本文选题：音乐 + 传播　； 参考：《人民音乐》2013年02期

【摘要】：正一、音乐传播"场域"说与当代原创音乐剧的碰撞从上世纪大上海时期的黎锦晖儿童歌舞剧算起,华语音乐剧已经走过了近百年的发展历程,时至今日,随着传播"场域"的迁移,音乐剧这种起源于欧洲、振兴于美利坚民族的综合艺术样态,在当代中国文化语域中也经历着艺术、文化、经济等方面的多元化演进。因此,从音乐传播"场域"视角出发,对当代原创音乐剧身处的多重"场效应"进行解读,不仅可以为当代原创音乐剧的创作实践提供宏观理论借鉴,也能够推
[Abstract]:First, the collision between the "field" theory of music dissemination and the contemporary original musical since Li Jinhui's Children's Song and Dance Drama of the Great Shanghai period of the last century, Chinese musicals have gone through nearly a hundred years of development. To this day, With the transfer of "field", musical originated in Europe, reinvigorated in the comprehensive artistic model of the American nation, and also experienced the diversified evolution of art, culture and economy in the contemporary Chinese cultural register. Therefore, from the perspective of "field" of music dissemination, the interpretation of the multiple "field effects" of contemporary original musicals can not only provide macroscopic theoretical reference for the creative practice of contemporary original musicals, but also promote them.
【作者单位】： 南京师范大学泰州学院音乐学院;
【分类号】：J823;J617.2
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本文编号：1976587