柴金《b小调奏鸣曲》创作风格研究

发布时间：2018-06-09 20:50

本文选题：柴金 + 手风琴　；参考：《内蒙古师范大学》2009年硕士论文

【摘要】： 柴金《b小调奏鸣曲》是手风琴历史上里程碑式的作品,享有“手风琴第一奏鸣曲”的盛誉。本文采用音乐形态学、音乐分析学和音乐文献学的方法,对柴金的成长经历及其所创作的《b小调奏鸣曲》的时代背景和作品当中出色的创作手法进行了细致的分析,在此基础上对这首乐曲的创作风格进行了深入探究。笔者对奏鸣曲各个乐章的创作特点进行详细剖析,力求找到这部作品之所以能够在世界手风琴界备受瞩目的原因,从而引起国人思考:中国的手风琴作品应该怎样发展。全文共分三个部分。第一部分:作曲家生平及其创作活动概述。在这一部分中,笔者力求找到作曲家的生活背景尤其是特定的社会背景和音乐创作方面的其他原因同作曲家的创作之间的联系及其对作曲家创作风格的影响。第二部分:《b小调奏鸣曲》音乐本体分析。对整个奏鸣曲的曲式结构及各乐章曲式结构的安排、主要动机的形式及其在各乐章中的变形、音乐材料的运用、各乐章音乐材料之间的联系、调式调性的布局、和声复调的设计、节奏的转换、音阶的大量应用、半音化手法和风格的介入、类似于“命运动机”音型的使用等具体创作手法进行深入分析。第三部分:《b小调奏鸣曲》创作风格的分析与研究。笔者通过在前一部分中所做的大量细致的分析工作,试图尽可能全面地挖掘作曲家精炼的创作手法,尽可能深入地探究作曲家的创作意图,尽可能详尽地阐释作曲家是怎样做到在这部长达七百多小节(不计反复)的大型手风琴作品中,既能够让主题鲜明突出又让音乐的变化丰富多样,没有拖沓冗长之笔,没有无效反复之音的,这在中国作品中还不多见。通过作品中具体的创作手法找到作品(或者说是作曲家)与音乐史也是音乐创作史上一些有重要影响的现象及风格手法的联系。总之,笔者试图从作曲技法与音乐理论及社会背景等方面对本曲的风格进行分析与研究,力求对本曲音乐风格的判断有充分、可靠的实践与理论依据。
[Abstract]:Chaijin Sonata in b minor is a landmark in accordion history and enjoys the reputation of accordion Sonata No. 1. By using the methods of music morphology, music analysis and music philology, this paper makes a detailed analysis of Chai Jin's growing up experience and the background of his sonata in b minor and the outstanding creative techniques in his works. On the basis of this, the writing style of this piece of music is deeply explored. The author makes a detailed analysis of the creative characteristics of each movement of sonata, and tries to find out why this work has attracted much attention in the world accordion world. Thus causes the Chinese people to ponder: how should the Chinese accordion work develop. The full text altogether divides into three parts. The first part: a summary of the life of the composer and his creative activities. In this section, The author tries to find out the relationship between the life background of composers, especially the specific social background and other reasons in music creation, and their influence on the composers' creative style. Part two: < b minor Music Noumenon Analysis. The arrangement of the musical structure of the whole sonata and its movements, the form of the main motivation and its deformation in the various movements, the application of the musical materials, the relationship between the musical materials of the various movements, the layout of the mode of modulation, The design of harmony polyphony, the conversion of rhythm, the extensive application of scale, the intervention of semitone technique and style, The third part: the analysis and research on the creation style of Sonata in b minor. Through a great deal of detailed analysis in the former part, the author tries to excavate the composer's refined creative technique as comprehensively as possible, and to probe into the composer's creative intention as deeply as possible. Explain in as much detail as possible how in this large accordion work, which is more than 700 bars long (excluding repetition), it is possible to make the theme stand out and the variety of music to be rich and varied. There is no invalid repeated sound, this is not common in Chinese works. Through the specific creative techniques in the works to find the relationship between the works (or composers) and the music history is also some important phenomena and style techniques in the history of music creation. In a word, the author tries to analyze and study the style of this song from the aspects of composition technique, music theory and social background, in order to have sufficient and reliable practical and theoretical basis for judging the music style of this song.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J624.3

【共引文献】