析《淮南子》中的情感论音乐美学思想

发布时间：2018-06-12 10:36

本文选题：淮南子 + 情感论　；参考：《民族艺术研究》2009年03期

【摘要】：《淮南子》是中国著述史上唯一有相对系统的情感论的著作,其中有关音乐情感论的材料异常丰富。《淮南子》在情因感生的基础上持有情论,它提出了音乐情感表现中的"情发于中,而声应于外"、"文情理通"、"中有本主"、"得其君形"等观点,阐明了感情从内心发出,而声音在外面应和的情感表现思想,充分肯定了音乐是情感的外在表现以及音乐可以表达真情的观念。本文试图从音乐情感的产生、音乐情感的表现以及音乐情感的接受与审美等几个方面阐述淮南子中的情感论音乐美学思想。
[Abstract]:"Huainan Zi" is the only work in the history of Chinese writings with relative systematic emotion theory, of which the material of music emotion theory is abnormally abundant. < Huainan Zi > holds the sentiment theory on the basis of feeling caused by emotion. It puts forward the views of "feeling in the middle, the voice should be outside" in the emotional expression of music, and the viewpoint of "having a master" and "having its monarch form". This article tries to explain the emotion theory in Huainan son from several aspects, such as the emergence of music emotion, the expression of music emotion, the acceptance and aesthetics of music emotion. Music aesthetic thought.
【作者单位】：淮南师范学院音乐系;
【分类号】：J601

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