高雄市传统圣乐的机体发展及其文化特性之研究

发布时间：2018-06-15 09:35

本文选题：传统圣乐 + 国乐　；参考：《福建师范大学》2010年博士论文

【摘要】：以音乐现象作为文化研究的对象,系属当代民族音乐学与文化人类学发展的交集课题,尤其当传统文化体裁跨向现代社会发展的演绎模式,往往受到常民生活的思维意念、外围环境的激化变动、文化需求的消长拉锯、以及内外机体的揉聚改造等因素,以至于在特定时空及其演化历程之中,产生长短不一、明暗交错与动静有别的文化观照结果,益使文化研究充满严峻的挑战性与高度的趣味性。本论文即以流传在宝岛台湾西南侧的高雄市传统圣乐为观照对象,探讨该音乐体裁自1927年开始在鸾堂祭仪演奏迄今,在高雄市民间信仰场域历经将近百年的三个文化期程——日治鸾堂萌芽期、台湾光复普拓期与国乐复合共伴期之演化现象,并特别针对音乐体裁从形成之初的十三腔圣乐团形貌,如何在庙堂主事者与圣乐团艺师及乐生的传承里,一方面竭力固守儒家礼乐教化的具体实践、另一方面却又先后再演化出南音化圣乐团、国乐化圣乐团等礼乐变貌；其中,特别是人们在此期间所产生的文化需求与提供满足之间,必然存在一股为神明奏乐的神圣性与尊贵性之丰厚能量。为能解析传统圣乐在高雄市鸾堂宫庙为神明献演的机体发展及其文化特性,本论文除将奠基于民族音乐学的理论应用之外,更植入笔者进行文化研究所制定的特定用词,藉以揭示传统圣乐在各文化期程的开展模式；笔者奠基于多年来在高雄市进行20余所庙堂圣乐团的田野采集实务、以及办理数场多个圣乐团联演的大型活动经验,从局外观察者而至局内拓展者的双重角色出发,将特别从孕育传统圣乐体裁的环境背景切入,探讨鸾堂宫庙与礼乐需求的基本构成、乐团艺师与乐生成员的组合传授、曲谱内容与乐器种类的增减异动、演出型态与活动功能的文化内涵、音乐声响与周围体裁的互动关系等机体元素,逐步解析高雄市传统圣乐成为当代礼乐声形的文化特性,并从中建构观照文化体裁在特定时空演化的文化程序。
[Abstract]:Taking musical phenomena as the object of cultural research is a subject of intersection between contemporary ethnomusicology and cultural anthropology, especially when the deductive mode of traditional cultural genres developing to modern society is often influenced by the thinking ideas of ordinary people. Factors such as the aggravation and change of the external environment, the growth and decline of cultural needs, and the transformation of the internal and external organism, and so on, so that in the specific time and space and its evolution process, the length of time is different, the light and dark intertwined with the movement and movement have other cultural reflection results. Cultural studies are filled with severe challenges and high levels of interest. This thesis focuses on the traditional sacred music in Kaohsiung City, which is located in the southwest of Taiwan, and discusses the music style since 1927, when it was performed at Luan Hall. In the field of folk belief in Kaohsiung City, after nearly one hundred years of three cultural periods, the sprout period of the Rizhiluan Hall, the evolution phenomenon of Taiwan's retrocession period and the national music complex co-companion period, In particular, in view of the appearance of the music genre from the beginning of the formation of the Thirteen-Chamber Holy Orchestra, how to adhere to the concrete practice of Confucian rites and music education in the inheritance of the temple masters, the artists of the holy orchestras and the music students, on the one hand, On the other hand, it has evolved into a variety of rituals and music, such as the Nanyin Sage Orchestra, the National Music Sage Orchestra, and so on. In particular, the cultural needs created by people during this period and the provision of satisfaction, There must be a rich energy of sanctity and honor for divine music. In order to analyze the development and cultural characteristics of the traditional music performed for the gods at the Luan Tang Temple in Kaohsiung City, this paper not only bases on the theoretical application of ethnomusicology, but also implants the specific words formulated by the author of the Institute of Culture. In order to reveal the mode of development of traditional music in various cultural periods, the author bases on the field collection practice of more than 20 temples and shrines in Kaohsiung City over the years, as well as the experience of several large-scale events performed by several holy orchestras. Starting from the dual role of an outside observer and an extender of the bureau, this paper will discuss the basic composition of Luan Tang Temple and the need for rites and music, as well as the combination and teaching of orchestra artists and music students, especially from the background of the environment that breeds the traditional saintly music genre. In order to analyze the cultural characteristics of the traditional music in Kaohsiung, the cultural connotation of the performance style and the activity function, the interaction between the music sound and the surrounding genre, and so on, the increase or decrease of the music content and the variety of the musical instrument, etc., has gradually analyzed the cultural characteristics of the traditional sacred music in Kaohsiung City. And from the construction of cultural genre in a specific temporal and spatial evolution of the cultural process.
【学位授予单位】：福建师范大学
【学位级别】：博士
【学位授予年份】：2010
【分类号】：J608

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